性格内向的凯特（梅格•瑞恩 饰）深爱着自己的未婚夫，蜜美两人到了谈婚论嫁的地步，蜜美男友竟爱上了别的女人，要与凯特分手。凯特伤心死了，但她仍不能放下未婚夫，因此她独自一人前往法国寻找未婚夫，希望能重修于好。凯特后来在飞往巴黎的班级上偶遇了一名男子。这个叫吕克（凯文•克莱恩 饰）的法国男子对凯特很殷勤，愿意与凯特分享烦恼，但凯特并不知道，这名神秘的男子早已引起了法国警方的注意，他想摆脱追踪，便打算要利用凯特。巴黎对于凯特来说是个陌生的地方，但她心里只想找到前男友，吕克主动请缨要帮忙凯特，两人竟开始了一段浪漫的法国之旅。动人的氛围影响下，两人情愫渐生。吕克一开始的目的，又会否阻碍两人之间的感情进展呢？
回复 :运势一向极差并且做任何事都十分倒霉的宫男（小沈阳 饰）因为听信了坑蒙拐骗、信口开河的不靠谱算命先生萨摩耶夫（李诚儒 饰）的指点，因此与为了一份跟梦中情人的口头婚约而绞尽脑汁、迫切求财的秦招妹（田亮 饰）组成“呆萌寻女”二人团，阴差阳错来到新加坡，想借出国碰运气，开始了他们的发财梦。从坐上飞机开始，两个“逗比”就一路笑料百出，风波不断，为了赚钱甚至还打起了挖地道到古董店抢劫的主意，令人啼笑皆非。也在经历了“赌场风波”后，两个倒霉蛋又卷入一宗古董大劫案之中，并因此与“南洋富商”董大山（陈小春 饰）结下梁子。但赚钱的同时泡妞也不能耽误，宫男邂逅了神秘“女神”颜琪（熊黛林 饰），虽然令他魂牵梦绕的女神一直难以琢磨，并不妨碍他与董大山展开一场激烈的“女神”争夺战，原本庸庸碌碌平平淡淡的宫男也在新加坡引来了人生中戏剧性的变化……
回复 :这个世界需要超级英雄…… 黑亚当降临。黑亚当（道恩·强森 饰）被赋予了古代诸神无所不能的力量，但很快就被封印。近五千年后，他终于重见天日，并将在现代世界以独一无二的方式行使正义。
回复 :Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
