七品锦衣卫小旗官——高宣，国产受锦衣卫指挥使陆万通暗命，国产刺杀出访大明、准备和谈的也先使臣。刺杀成功，复命之时，高宣居然被陆万通带人追杀，重伤落水，成为一具“尸体”。使臣被杀一事一出，负责和谈的大学士云川被牵连入狱。大理寺卿李维坚信背后必有曲折，请求代宗准许调查，并争取到十天的破案时间。十日后凶手未捕，则云川问斩，李维自请归田。高宣落水后被人所救，临走前将随身物品，相赠恩人，不料被锦衣卫发现，给恩人带来杀身之祸。高宣决心进京复仇，路上和一神秘女子云梦瑶意外联手，情愫暗生。殊不知， 更大的圈套在等着他们......
物乐团
回复 :A young environmentalist wakes, trapped, kidnapped in the elevator of a super high-rise building at the mercy of her tormentors
回复 :阳光明媚的一天，布雷迪·特纳（Mark McLachlan 饰）、克莱尔（Caitlin Martin 饰）和邓肯·麦凯（克丽丝·苏拉里 饰）计划在湖上乘船游览整个加利福尼亚州南部，但是他们本应该快乐的周末却没有延续多久，恐怖可怕的事情就发生了。当他们的船停靠在一个船屋的旁边时，这趟开心的旅程就已经结束了。此...
回复 :The story appears simple on the surface, but is revealed, especially after multiple viewings, as more multi-layered and textured than Cassavetes at his best. Ostensibly it concerns a 14-year old Catholic girl, Wynne (Agutter) growing up in this post-modern wasteland, who develops a crush on her much older adoptive brother (Marshall)- a crush which perversely deepens and grows into infatuation once she starts to believe he is the local sex killer. This is in itself an idea that makes you sit up and jolt, but as the narrative develops, it continues not necessarily along a linear path but in several confusing and fascinating directions: the family's history, (detailed effectively in chilling flashback during an improvised seance) is a chequered one, and has suffered at least one major relocation and upheaval in the last ten years.At the crux, however, it's the depiction of socialal changes that make I Start Counting so fascinating and elevate its language far beyond the confines of the standard horror film. The major subtext- that teenage girls were maturing more quickly than before, and developing full sexual and romantic appetites (even if in thought rather than deed) but were not possessed of enough discretion to make the right choices- was a step forward for a genre in which its young females had previously been portrayed as bimbo victims (Cover Girl Killer and The Night Caller spring to mind), but not one that all viewers would necessarily agree with.But most striking of all, and possibly the most enduring image which the viewer will take away with them, is of the masterful symbolism with which director Greene invests every shot. Every inch of the Kinch family's world- their house, their walls, their TV, Agutters underwear, bedroom furniture and toys, Sutcliffe's clothes, Marshalls van, the local Catholic church, their town centre, their record shop) - is painted a bright, scintillating white- a white which, by inference, is slowly becoming smudged and corrupted with the dirt of the outside world. White also symbolises, of course, purity and innocence (two qualities Catholic schoolgirls are supposed to hold dear), and it is into this world of innocence that the ever-present red bus (a symbol of violation and penetration), conducted by the lecherous yet similarly juvenile Simon Ward, makes regular journeys. The allegory is further expanded in one scene where Agutter believes she sees the Christ figure in church weeping blood: by the time we acknowledge it, its gone, but the seed has already been planted. Rarely in a genre production has the use of colour and background been so important or effective in creating a uniformity of mood.I Start Counting is as near-perfect an end to a decade as one could hope for, and exactly the kind of film people should be making now- which is, of course, exactly why they never will. A genre essential.by D.R. SHIMON@lounge.moviecodec.com
