电影讲述人类与机器对抗的故事,失忆被人类奴役了100多年的机器开始了对人类的追杀。斯蒂芬·金唯一导演过的电影作品,失忆他不仅是导演,还在片头出镜。他邀请了摇滚乐队ACDC为影片配乐,而ACDC十分大方,直接写了三首新歌。其中的WHO MADE WHO真是烘托本片气氛的完美之作。
电影讲述人类与机器对抗的故事,失忆被人类奴役了100多年的机器开始了对人类的追杀。斯蒂芬·金唯一导演过的电影作品,失忆他不仅是导演,还在片头出镜。他邀请了摇滚乐队ACDC为影片配乐,而ACDC十分大方,直接写了三首新歌。其中的WHO MADE WHO真是烘托本片气氛的完美之作。
回复 :高飞技术企业家卡森为了应对新公司的期望和为他生病的父亲提供服务的重担而喝酒。当他在同一天早晨在他的汽车停下来时,他的车被血淹没了,据报道,他的世界在试图与六月建立关系,他怀疑自己可能是受害者的女朋友杀手.
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
回复 :1999年,长峰博士在赤道附近发现了加欧斯的变异种,同时候在日本西南方的海中发现了卡美拉的墓场。时间回到1995年的东京,因为加欧斯来袭,比良坂绫奈一家人准备离开东京,此时卡美拉受到加欧斯的攻击而落下,在卡美拉起身时破坏了绫奈的家,而绫奈的父母来不及逃出。目睹父母身亡的绫奈,从此开始憎恨卡美拉....时间再拉回到1999年,居住在乡下亲戚家的绫奈饱受同学的欺负,有一天绫奈被同学叫到供奉一个东西叫做"柳星张"的神社,同学要绫奈将里面的东西给搬出来,此时世世代代守护着柳星张的守部家成员守部美雪见到此状,于是偷偷的去告知自己的哥哥龙成,龙成便到神社将绫奈的同学赶走,此时绫奈把东西搬出来,龙成便要求绫奈把东西给搬回去,但是在绫奈搬走东西的原处,两人发现了一个奇怪的东西,两人见状便吓得逃走,到了晚上,那个东西出现了变化,里面出现了一个东西...而在此同时,加欧斯出现在东京涩谷上空,没多久之后一阵爆炸声,加欧斯被击中,并且坠落在涩谷车站,此时卡美拉从空中降落.....