清晨,春暖一名逃犯来到小镇,春暖此时已经饥渴难耐!当他来到热气腾腾的馒头铺前,逃犯慢慢把手伸向身上携带的尖刀。就在这时,一个热气腾腾的馒头忽然出现在了逃犯面前,而握刀的手不由自主的松开了。。。
清晨,春暖一名逃犯来到小镇,春暖此时已经饥渴难耐!当他来到热气腾腾的馒头铺前,逃犯慢慢把手伸向身上携带的尖刀。就在这时,一个热气腾腾的馒头忽然出现在了逃犯面前,而握刀的手不由自主的松开了。。。
回复 :人的身体究竟有着怎样的构成?难道仅仅是血肉和骨骼这样的平凡和简单吗?最经,崇(亚瑞克·阿莫苏帕西瑞 Arak Amornsupasiri 饰)经常被一个可怕的梦魇所纠缠着。在梦里,一个女人被痛苦的肢解成零碎的小块后被冲入厕所。可怕的是,随着时间的流逝,梦境变得越来越真实 和清晰,而被肢解的痕迹与痛感也渐渐的在崇的身上得到了体现,梦境和现实逐渐混淆。在寻求心理医生的帮助无果后,崇察觉到或许梦境正是梦中的女人所为,她在向自己寻求帮助。为了从痛苦中解脱也为了找到真相,崇开始了漫漫寻凶路。凶手是真的存在吗?亦或只是崇神经错落后产生的臆想?目前,一切的答案尚在迷雾之中。
回复 :狂风暴雨的夜晚,一身穿校服的女生死于天桥之上,不久之后,同班同学亦坠楼而死。这一切是巧合还是有人蓄意而为?一个条名为“六月的日记”的线索的出现将这几出命案联系到了一起。巡警秋子英(申恩庆 饰)首先发现了其中的蹊跷,可此时命案已被判为自杀。顶着巨大的压力,秋子英执着的继续 着自己的调查。另一方面,与秋子英水火不容的同事金东旭(文政赫 饰)在法医处也得到了惊人的消息——凶手竟然通过日记预告了下一次的杀人行动。为了找到真相,秋子英和金东旭决定暂时放下曾经的恩怨,联手破案。而事实并没有表面上所显示的那么简单,随着调查的深入,更可怕的事情发生了。
回复 :James Benning’s first film called The United States of America was a 1975 trip across the country, capturing its scenery through a car windshield. This second one also crisscrosses the nation, but without a car, carving it up instead into a series of static shots of just under two minutes, one for each state, presented alphabetically, from Heron Bay, Alabama to Kelly, Wyoming. The names of the places are nondescript, but the images attached to them are anything but, immaculately composed shots of landscape, cityscape and the spaces in between. As we move from A to Z, the images coalesce into a portrait of today’s USA, tracing out its fault lines almost in passing: fenced-off facilities, a river bed running dry, factories and refineries, run-down streets and gas stations, a camp under a bridge. The past is there too, seeping up through the songs and speeches that sporadically pierce the background noise or the motifs that evoke a whole career; the clouds, trains and cabins are stand-ins for films, not just states. As always, there’s time for more abstract thoughts too: each image may stand for a state, but representativity is slippery. Which state is more cinematic than the rest?