歌剧红伶
地区:其他
  类型:剧情
  时间:2025-07-16 03:23:19
剧情简介

歌剧Carl Kolchak is a newspaper reporter with an abrasive personality that has gotten him fired ten times from various big-city papers. Now he's reduced to reporting for a relatively small-time paper in Las Vegas. It's here he gets the story of his life. But will the local sheriff, or the D.A., or even his own boss, let him print it? He has an ally in the FBI agent brought in to investigate this strange case. It seems someone is biting the necks of young girls and draining their blood. Can this killer with supernormal powers really be a 70-year-old Rumanian millionaire? Can he really be a vampire? And can an aging reporter do anything to stop him?

8次播放
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628人已收藏
明星主演
森山良子
林健辉
伊莲佩吉
最新评论(912+)

基地小虎

发表于8分钟前

回复 :在东京近郊公路桥下,矗立着几间普普通通的民房,那里住着这个国家最富活力的平凡百姓,琐碎而有趣的故事也在他们中间发生。妇女协会的会费发生亏空,女人们叽叽喳喳打算查明原因。担任会计的小幸妈刚好给家里添置了洗衣机,因此成为重点怀疑对象。无聊的时候女人们婆婆妈妈,张家长李家短,好像永远看不得别人家的半点好。工作了一天的林先生(笠智众 饰)厌烦了女人的聒噪和孩子们的吵闹,偏偏两个儿子小实(设乐幸嗣 饰)和小勇(岛津雅彦 饰)他赌气决定不再说话。而这一次父子的无心之举又在邻居间激起了波澜。大人的世界总是麻烦多多,谦恭礼貌的外表下又有多少捉摸不透的小心思……


岩濑敬吾

发表于5分钟前

回复 :在回家的途中,一位商人(瓦克拉·沃斯卡 Václav Voska 饰)遭遇了罕见的暴风雪,昏天黑地之中,商人误打误撞来到了一幢豪华神秘的城堡前。商人在城堡中受到了贵宾般的优厚待遇,但直到最后,商人仍然不知道城堡的主人究竟是谁。暴风雪停歇了,商人准备离开,临走之前,他决定在花园中摘一朵玫瑰送给自己最喜爱的小女儿贝儿(兹德娜·斯图登科娃 Zdena Studenková 饰),而令他没有想到的是,长相狰狞的野兽(Vlastimil Harapes 饰)出现在了他的面前向他索命。商人失魂落魄的回到了家,将自己的遭遇告诉了六个儿女,爱父心切的贝儿决定代替父亲,只身来到了城堡。然而,等待着贝儿的却并非死亡,而是更加盛情的款待,野兽对她唯一的要求,就是不要离开城堡半步。贝儿并不惧怕野兽,随着时间的推移,两人之间的关系越来越近。


韩庚

发表于6分钟前

回复 :The Polish doco for the BFI’s Century of Cinema distinguishes itself from all the others in the series by being the only one not to have any film critics, academics, directors, etc providing a commentary.  Instead it takes the refreshing route of having ordinary people of all ages talking about what’s special to them about movies – so we get some old folks describing their first trip to the cinema when a lot of people didn’t even know what a film was, memories of what it was like to go to the movies as children, teenagers, and adults before, during, and after WWII, and especially the key scenes from films that have made lasting impressions upon them (not unexpectedly, Wajda’s KANAL strikes a nerve), which are shown in accompaniment, so that it becomes the interviewees who ultimately decide what’s shown in the doco.  This kind of stuff is what the ‘100 Years of Cinema’ celebration is really about.


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