四人好友聚会的一个轻松的下午,利彩谈话间大家交换了人生中重要的时刻,利彩闪现了各自生活中的闪光点。一对les妻妻与一对les情侣展现了她们各自有趣且真实的生活细节。这个充斥着八卦、欢笑与片刻沉默的下午,也因为一封自杀遗言而暗流涌动。看似平静美好的生活背后,每个人心中小小的秘密,为这个下午带来了无法避免的反转。偶然与巧合归于平静,像白日焰火最终消失地无影无踪。回到生活本身,四人也更加懂得了自己真正所想。
四人好友聚会的一个轻松的下午,利彩谈话间大家交换了人生中重要的时刻,利彩闪现了各自生活中的闪光点。一对les妻妻与一对les情侣展现了她们各自有趣且真实的生活细节。这个充斥着八卦、欢笑与片刻沉默的下午,也因为一封自杀遗言而暗流涌动。看似平静美好的生活背后,每个人心中小小的秘密,为这个下午带来了无法避免的反转。偶然与巧合归于平静,像白日焰火最终消失地无影无踪。回到生活本身,四人也更加懂得了自己真正所想。
回复 :年过四十的男人大黑静雄(堤真一 饰)突发奇想,辞去原本还算安稳的工作,决心寻找真实的自我。早年离异的静雄一直和父亲志郎(石桥莲司 饰)以及17岁的女儿铃子(桥本爱 饰)生活在一起,辞职后他散漫度日,从没画过画的他突然决定以漫画家身份出道。只不过无趣的题材接连遭到退稿,在打工的快餐店又经常被比自己年轻的前辈训斥。日常里,同样离异的上班族好友宫田修(生濑胜久 饰)以及同在快餐店打工的问题青年市野泽秀一(山田孝之 饰)是陪他共同买醉的朋友。看不到未来的静雄,今朝有酒今朝醉,确实可以期盼出道的那一天……本片根据漫画家青野春秋的同名原作改编。
回复 :维奥莱特(派珀·佩拉博 Piper Perabo 饰)是个小镇姑娘,21岁时独身一人来到纽约闯荡,试图实现自己的音乐梦想,但命运并没有厚待她,住进狭窄小屋,经历一次次碰壁后,维奥莱特几近走投无路,偶然的机会,她来到一家名叫“女狼俱乐部”的酒吧,结识了泼辣自信的女老板(玛丽亚·贝罗 Maria Bello 饰),成为她们中间的一员。“女狼俱乐部”是由一群女孩子们做主导的特色酒吧,她们每个都性感美艳,夜里用火辣舞蹈和精湛的调酒技术赢得客人欢心,维奥莱特获得了登台演唱的机会,也结识了凯文(亚当·加西亚 Adam Garcia 饰)开始一段爱情。维奥莱特最终明白,追梦的路途,需要克服的最大困难还在于自己……
回复 :苏利曼和“苏丹电影俱乐部”的另外三名成员决定重振一家旧电影院。他们不仅因为对电影的热爱和对恢复旧电影存量、再次关注苏丹电影历史的强烈渴望而团结在一起,而且因为他们都曾在流放中接受过电影教育。不知疲倦地,他们试图让影院老板站在他们一边,让这个地方重新运作起来,但他们一再发现自己遭到了相当大的阻力。同时,他们坐在一起谈论过去——包括他们作为对立艺术家遭受迫害甚至折磨的经历。他们还朗读流亡和梦想苏丹时写的旧信,在那里艺术和智力思想可以自由。“我们比他们聪明,但不如他们强大,”他们一致总结了他们的处境。正是在这些简洁的时刻,观众才能够感知到友谊,以及在为共同理想而斗争中存在的纽带和意识形态的团结。苏哈伊布·加斯梅尔巴里把苏丹电影的历史放在影片的中心,同时也揭示了一个受到持续危机影响的国家的现状Suliman and three further members of the ‘Sudanese Film Club’ have decided to revive an old cinema. They are united not only by their love of cinema and their passionate desire to restore old film stock and draw attention to Sudanese film history once more, but also by the fact that they have all enjoyed a film education in exile. Tirelessly, they try to get the cinema’s owners on their side and make the place operational again, but repeatedly find themselves up against considerable resistance. In the meantime, they sit together and talk about the past – including their experiences of persecution and even torture as oppositional artists. They also read out old letters written while in exile and dream of a Sudan in which art and intellectual thought can be free. ‘We are smarter than them, but not as strong,’ is how they unanimously summarise their situation. It is in laconic moments such as these that the viewer is able to perceive the friendship, as well as the bond and ideological solidarity that exists in the struggle for common ideals.Suhaib Gasmelbari puts the history of Sudanese cinema at the centre of his film and at the same time sheds light on the current situation in a country shaken by ongoing crises.