出品单位北京金尊影视文化传播中心、温州市 电视剧制作中心、北京 盛嘉伟文化有限公司摄制单位北京金尊影视 文化传播中心、温州市 电视剧制作中心、北京 盛嘉伟文化有限公司许可证号影映故字阳006} 第064号声音制式sR 幅别遮幅 片长5(本)2822米编剧练德尚导演王冰河摄影孙圣允制片浦振辉主要演员张职仁青 卓玛主要内容 一支驻守在大山深处的森警 部队，在保家卫国、惩恶扬善的同 时，不忘把爱心洒播给下一代，为 了让贫困儿童能够接受教育，他们 创办了“春蕾班”，完全采用军事化 管理。战士们防火护林之余轮流给...
回复 :当“上海女婿”遇上“俄罗斯岳父”，到底会上演一段怎样的乌龙奇遇？由高分神剧《战斗民族养成记》原班人马共同打造的同名喜剧电影，讲述了一段上海小伙彭鹏为了追求真爱远赴俄罗斯，攻略彪悍岳父大人的异国奇遇。他将如何面对伏特加酒局、冬泳、射杀狗熊等一系列爆笑考验，令人期待…
回复 :该剧围绕一名乡村女教师展开，讲述了她远离繁华都市，心甘情愿地为山村教学无私奉献的故事。马杰在这部影片里出演男一号，变身农村小学校长。马杰戏里角色名叫李良伟，他早年是一名知青，钟爱教育事业，把毕生的精力都投入其中。后来李良伟被城市老板展旗聘为柳崖子村小学的校长，他一直为孩子们的教育事业而废寝忘食、兢兢业业。山村的生活虽然很清贫，但他一直无悔。也正因为他是有文化的知青出身，即使是清贫也骨子里透出高贵。李良伟对自己的妻子巧云心存内疚，因为她曾是村里最美的女人，跟自己结婚后却没有享福。他对女一号柳晓月则是心存感激，心底很希望她留在山村协助自己继续教学，但又不愿意影响她进城当老师的美好的前途。
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
