剧情简介
古代传说“血月见，春暖妖孽现！春暖”血月之夜，民国几个学生在旅行中误入神秘古宅，之后厄运不断降临，几位同学接连离奇死亡，无意中有人发现付凯背负着神秘胎记，原来他竟然和这座古宅有着千丝万缕的联系，于是所有矛头都指向他。在巨大恐惧下，付凯为了求得一线生机不得不采用古老预言方式“请碟仙”来验明真相，什么力量能够召唤出碟仙，碟仙的预言能力又是如何传递，血月、胎记又和碟仙有着什么样的联系呢？
春暖花开xing吧有你
古代传说“血月见，春暖妖孽现！春暖”血月之夜，民国几个学生在旅行中误入神秘古宅，之后厄运不断降临，几位同学接连离奇死亡，无意中有人发现付凯背负着神秘胎记，原来他竟然和这座古宅有着千丝万缕的联系，于是所有矛头都指向他。在巨大恐惧下，付凯为了求得一线生机不得不采用古老预言方式“请碟仙”来验明真相，什么力量能够召唤出碟仙，碟仙的预言能力又是如何传递，血月、胎记又和碟仙有着什么样的联系呢？
半田浩二
回复 :It's 1998 and over the course of one 12 Hour Shift at an Arkansas Hospital, A Junkie Nurse (Angela Bettis), Her Scheming Cousin (Chloe Farnworth) and a group of black market Organ-Trading criminals (Mick Foley, David Arquette, Dusty Warren) start a heist that could lead to all of their demise.
杨晶晶
回复 :著名美国记者斯诺带着对红色中国的一连串问题来到陕北，见到了他期盼采访的毛泽东。在陕北四个多月，斯诺日以继夜考察、采访、拍摄，对毛泽东和中国都有了深刻的了解，并且和毛泽东结下深厚的友谊。回北平后，他写出了闻名世界的《红星照耀中国》一书，在全世界引起很大反响。一九三九年，斯诺做为“工合”国际委员会的代表再次来到延安，面对发生巨大变化的延安，斯诺无比激动，他又一次与毛泽东谈起了中国。60年、70年，斯诺曾经两次来到中国，对新中国进行采访、报道。向全世界介绍中国发生的变化。这位中国人民的伟大朋友，为中美两国建交做出了坚持不懈的努力。后来，斯诺患病的消息传到北京，毛泽东主席、周恩来总理派出了以马海德医生为首的中国医疗专家组赶往瑞士斯诺的家中进行抢救。斯诺对毛泽东、周恩来和中国人民表示了深深的感谢。毛泽东得知斯诺逝世，悲痛地思念着这位终生的朋友……
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.