一个土生土长28岁港男阿厚 (岑珈其 饰),无码一不高大,无码二不靓仔,内向寡言暖男一个,小康出身,早年丧母,中学读和尚名校圣言,中大读电脑,毕业做 I.T.,一世人暂时,只拍过一次拖。谁知阿厚今年原来行桃花运,先后遇到5个女孩 (余香凝、陈汉娜、梁雍婷、苏丽珊、张纹嘉 饰),个个外形性格背景都位位不同,唯一相通,只有一个:五个都住到山长水远,屋子都位于山旮旯天脚底,来来去去,有车都未必企及。一年四季,一皇五后,阿厚上完五堂爱情速成班,究竟会不会有所成长?情路又是否能够修成正果?
一个土生土长28岁港男阿厚 (岑珈其 饰),无码一不高大,无码二不靓仔,内向寡言暖男一个,小康出身,早年丧母,中学读和尚名校圣言,中大读电脑,毕业做 I.T.,一世人暂时,只拍过一次拖。谁知阿厚今年原来行桃花运,先后遇到5个女孩 (余香凝、陈汉娜、梁雍婷、苏丽珊、张纹嘉 饰),个个外形性格背景都位位不同,唯一相通,只有一个:五个都住到山长水远,屋子都位于山旮旯天脚底,来来去去,有车都未必企及。一年四季,一皇五后,阿厚上完五堂爱情速成班,究竟会不会有所成长?情路又是否能够修成正果?
回复 :This feature-length documentary is a cinematic biography of a song. Inspired by "The Holy or the Broken," Alan Light's critically acclaimed book, it is a definitive exploration of Leonard Cohen's "Hallelujah."
回复 :尽管土屋名美(喜多岛舞 饰)和丈夫洋介(永岛敏行 饰)同为演员,在事业上都成就颇丰,但两人之间的感情却随着时间的推移而变得岌岌可危,年轻女子小谷纯子(美景 饰)的出现更是让洋介决定同名美结束他们失败的婚姻。在即将上映的新片《LEFT ALONE》中,名美将扮演一个丈夫出轨的女人,而她在剧中的丈夫和情敌的扮演者正是洋介和纯子,这简直是把名美的真实生活原封不动的搬到了剧本里。媒体当然不会放过这一千载难逢的好机会,记者们遂即对名美展开了猛烈的攻势。在巨大的压力下,名美的精神逐渐走到了崩溃的边缘,痛苦中,她再也无法分辨,究竟什么是现实,什么又是电影。
回复 :Siskel and Ebert once ran a special show entitled "Movies I'm Embarrassed to Admit I Liked." I suppose that if I composed such a list of guilty pleasures, this one would be one of them . . . but upon reflection, it's really a lot better than that. Fifteen year-old science prodigy Mitch (Gabe Jarret) is recruited by ambitious college professor William Atherton (in yet another of his patented roles as a loathsome character) to work on the professor's prize laser project, not knowing that the prof is really developing a government weapon. Along the way, Mitch is befriended by Chris (Val Kilmer), another prodigy a few years his senior who teaches the Mitch how to loosen up.This could have degenerated into nothing more than just another teen revenge comedy, but there's so much more: the dialogue is laced with sharp wit; there are some lovely scenes that have nothing to do with the story yet are carefully set up, almost as blackouts (e.g., Mitch goes to a lecture at which a few students have left tape recorders instead of attending; later, at another lecture there are more tape recorders than students; and, in a final scene, one large tape recorder gives the lecture to a room populated by nothing but other small recorders!); and throw-away scenes that make you want to stop and back up the tape (e.g., Chris off-handedly cutting a slice off a bar of solid nitrogen to make a slug for the coffee machine).It's also one of the few movies to boast the presence of the memorable Michelle Meyerink -- as Jordan, the "girl-nerd" who made being smart and female something to be emulated. And there's Tears for Fears great song, "Everybody Wants to Rule the World" providing the perfect coda as the closing credits begin to roll . . . . Yes: really now, what's there to be embarrassed about?