影片讲述了古代的武馆忠义山庄原本和平安宁,银魂樱花但突遭各种小妖怪的骚扰。武馆的小雅为了救被竹叶青蛇精咬伤的师兄,银魂樱花私自放了那条被封印了500年的蟒蛇精。重获自由的蟒蛇精被捉妖奶奶收回了法力,她只能靠帮小雅她们打妖怪、以积攒的功德来孵化蛇蛋,直到蛇蛋破壳之日她才能重获法力。就这样,蟒蛇精阴差阳错成了山庄的安全使者,与武馆的孩子们一起降服了很多小妖怪。
影片讲述了古代的武馆忠义山庄原本和平安宁,银魂樱花但突遭各种小妖怪的骚扰。武馆的小雅为了救被竹叶青蛇精咬伤的师兄,银魂樱花私自放了那条被封印了500年的蟒蛇精。重获自由的蟒蛇精被捉妖奶奶收回了法力,她只能靠帮小雅她们打妖怪、以积攒的功德来孵化蛇蛋,直到蛇蛋破壳之日她才能重获法力。就这样,蟒蛇精阴差阳错成了山庄的安全使者,与武馆的孩子们一起降服了很多小妖怪。
回复 :繁华都市的边缘地带有一栋老旧而神秘的公寓,里面居住着形形色色奇怪的人,有“高帅穷”的落魄小律师(雷佳音 饰)、有倔强的90后年轻漂亮女孩(夏梓桐 饰)、有惯于溜门撬锁的蠢贼(李菁 饰),更有黑社会老大(李彧 饰)和他的美艳性感情妇(孙宁 饰)以及假药小贩(何云伟 饰)等。一个山雨欲来的夜里,就在这样的公寓里,突如其来多出了一具尸体……到底是谁杀了这个被所有人恨之入骨的男人?是被骗去万贯家财的他?还是被欺骗强暴了的她?抑或一直被人踩在头上的他?围绕着这具让所有人都惊慌不已的尸体,有人惊慌失措准备逃之夭夭,有人面色镇定承认杀人罪行,有人偷梁换柱企图制造自杀现场,有人咬牙切齿主动提出埋尸……在一天一夜之间各色人等都历经了一场终身难忘的记忆。而当谁是凶手的真相貌似“盖棺定论”时,意外的结局反转,让所有人都瞠目结舌……
回复 :1942年,第二次世界大战已进入白热化阶段。南太平洋上,日美双方展开激烈角逐,人性的底线在炮火声中被彻底摧毁。隶属美军的“查理步兵连”接到一项艰巨的任务,他们受命登陆瓜达康纳尔岛(Guadalcanal),夺回日军占领的210阵地。日军占尽地利优势,防守固若金汤。然军令 如山,即使刀山火海查理步兵连的将士们也要奋勇向前。这群年轻的小伙子为了所谓的正义投入这个残酷的血肉战场……本片根据美国作家詹姆斯·琼斯(James Jones)1962年的同名小说改编,并荣获1999年柏林国际电影节金熊奖和荣誉提及;1999年芝加哥影评人协会最佳摄影奖;2000年澳大利亚影评人协会最佳外语片奖;2000年电影旬报最佳外语片导演奖。
回复 :At the time of the Polish social regime, a security officer is promoted to work at a prison yard. Introducing concurrently with the narrator; he speaks of himself, his thoughts, his point of view. He tells that he is not afraid of bandits or gangs; on the contrary he gets a kick out armed conflicts. To get a start in his new duty, he shops for a watchdog; and he buys an untrained attack dog as his companion. Then he speaks of the adjudications that the death sentence for fugitives is lacking influence. From his point of view, the judicatory tribunal must execute the fugitives in public. In the morning the next day he wears his uniform and start working with pride.Whilst he is on his duty, a very harmonic music score begins to be played on the piano. The watchman spectates the peaceful life on the street. At that time we catch on that socialism is not a governmental regime; yet it's an uneducated behavior.As a final scene the watchman witnesses of a cadet school's pupils being taught of the democracy. He leaves us with a confused smile.A soft and likable thesis from the Polish director Kieslowski. You can find this short documentary as a special feature in his DVD of A Short Film About Killing. It could help you to compass his film language.