电影《爱·之痕》分别讲述了以周全、神去陆青青、神去王一鸣、琳琅“铁四角”为主线,从青葱到青年,四人以不同性格展现着三段不同的爱情形态,也想通过这三段感情,来表达爱情里的那些令人怀念的时光,心痛的刹那,遗憾的错过,无奈的选择,这些种种加杂在一起,让我们觉得,就算失恋,也是一种痛苦的浪漫,是一种值得去追忆的痛楚。
电影《爱·之痕》分别讲述了以周全、神去陆青青、神去王一鸣、琳琅“铁四角”为主线,从青葱到青年,四人以不同性格展现着三段不同的爱情形态,也想通过这三段感情,来表达爱情里的那些令人怀念的时光,心痛的刹那,遗憾的错过,无奈的选择,这些种种加杂在一起,让我们觉得,就算失恋,也是一种痛苦的浪漫,是一种值得去追忆的痛楚。
回复 :妹妹总是会按照姐姐的要求做任何事情,从工作到男人和性生活,一切都受着姐姐的控制。姐姐已经结婚并希望组建一个家庭,但她无法生育。为了解决烦恼的姐姐,她命令年轻的妹妹替她做代孕。年妹妹从未拒绝过姐姐的要求,最终与姐夫发生了关系...
回复 :身为养子的尼禄厌倦他的导师赛内卡,并以背叛的罪名命令他自杀。赛内卡顺从了,但他的死亡却是非常缓慢的。
回复 :To Elena, existence is an effort—not only does she struggle against her body affected by Parkinson’s, but her daughter has just shown up dead and only she finds the suicide hypothesis implausible. Elena is not a good victim, and doesn’t show signs of having been a selfless mother. She is vulnerable, but also overcome by rage and sorrow, and that stubbornness seems to render her invincible, against all odds. But investigating the reasons for her daughter’s death soon becomes a trip through memory, and, as we’ve known since the time of Greek tragedies, every investigation is, deep down, an investigation about oneself. Elena Knows submerges us in the physical and mental experience of its protagonist and, at the same time, invites us to ask ourselves uncomfortable questions about aging, the complexity of mother-daughter bonds and the weight of those mandates women drag the same way Elena drags her feet.