剧情简介
康仁久（宋康昊 饰）是一名黑社会帮派里的中层人物。但他有个贤淑的妻子（朴知英 饰），星期一双儿女，星期是一个极普通的家庭。仁久一心想过着田园生活，与世无争，跟妻子儿女和睦幸福的生活。因此他在帮派里表现突出，希望能像其他人一样做一名好丈夫与好父亲。可是最近帮派里的大人物有所矛盾，仁久自己跟女儿的关系也不是很好。他开始感到失落，他决心要做一件大事，让女儿及组织里的人能看到自己的能力。到最后，仁久最想要的舒适生活又能否如愿以偿呢？
星期三2022
康仁久（宋康昊 饰）是一名黑社会帮派里的中层人物。但他有个贤淑的妻子（朴知英 饰），星期一双儿女，星期是一个极普通的家庭。仁久一心想过着田园生活，与世无争，跟妻子儿女和睦幸福的生活。因此他在帮派里表现突出，希望能像其他人一样做一名好丈夫与好父亲。可是最近帮派里的大人物有所矛盾，仁久自己跟女儿的关系也不是很好。他开始感到失落，他决心要做一件大事，让女儿及组织里的人能看到自己的能力。到最后，仁久最想要的舒适生活又能否如愿以偿呢？
回复 :美艳的神秘女郎爱伦（莎朗·斯通 Sharon Stone 饰）突然闯进美国西部一个充满暴力的小镇，为了一段不堪回首的回忆而开展复仇。在她到达小镇后不久，一位名叫科特的牧师（罗素·克劳 Russell Crowe 饰）也来到小镇。与此同时，蜂拥而至的神枪手们也从四面八方纷纷赶来。而让他们趋之若鹜的原因，是一场以巨额奖金为诱饵的枪击比赛。比赛只有一条规则，就是完全遵守大魔王赫罗德（吉恩·哈克曼 Gene Hackman 饰）的规则。赫罗德借此向镇民们征收大量税金。不仅如此，只手遮天、无恶不作的赫罗德更想通过这次枪击比赛，让高手们彼此厮杀，从而坐享渔翁之利。残酷的枪击比赛没有丝毫人性可言，半决赛中，赫罗德甚至亲手杀死了自己的儿子基德（莱昂纳多·迪卡普里奥 Leonardo DiCaprio 饰）。终于，一场扣人心弦的生死决斗在科特与赫罗德之间展开了。
回复 :豪门出身的男主李淼因物质条件丰厚养成了桀骜不驯的性格，在大学临近毕业之际喜欢上同班校花许可，但许可的目光始终在出身寒门、才华横溢的郭凡身上，不甘示弱的李淼对许可展开了疯狂的攻势，并威逼利诱郭凡离开许可。两人在实验室发生口角之时被曾经让李淼欺压的校霸吴杰发现。吴杰为报复李淼制造化学事故。当他们从医院醒来后，发现两人居然互换了身体，两人开始进行一系列的尝试，欲换回身体，闹出了很多搞笑的笑话。而在这个过程中，原本桀骜不驯的李淼用郭凡的身体体会到跟原来的自己完全不一样的世界，引发了对过去自己行为和性格的反思。终于在最后重新找到了自己的人生目标以及自己想要的关于爱情的样子……
金勇五
回复 :In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.
