浙江卫视互动暖综《三个少年》将于3月31日晚播出,亚洲区宋亚轩、唐九洲、何运晨担任固定嘉宾。
浙江卫视互动暖综《三个少年》将于3月31日晚播出,亚洲区宋亚轩、唐九洲、何运晨担任固定嘉宾。
回复 :这是和数个怪异交织在一起的微不足道的友情和别离的故事。返老还童的怪异“月读的变若水”,绝对不能读出声来的“异界之歌”,来路不明的书不知不觉间排列在书架上“逆偷盗的本”,神隐的实况记录报告“仙境异闻”···首都范围内的某个中心车站,这个小镇究竟在发生著什么…… 残留在令和世上最后的迷宫,“现代怪异”的mystery 志愿成为不足为道的小说家,绪川董子和搭档的童颜细目的魔少年化野莲发起了挑战!追求的是超自然知识和体力的胜负。在解开这个小镇涌现出的数个怪异的二人前方等待的是…
回复 :本系列致力于探索英国在讽刺文学和猥琐粗俗的幽默上面的传统。第一集 有史以来最讽刺、下流、猥琐、无礼的历史本片从18世纪早期的乔治王朝统治时期入手,给大家展示全国性的公开粗俗,简直让人震惊!贺加斯,吉尔雷,罗兰生,克鲁克香克笔下的绘画,以及约翰·盖伊和亨利·菲尔丁笔下光怪陆离的戏剧世界会让我们大开眼界。歌手露西·斯吉平会带我们一览乔治王朝粗俗下流情歌的盛况。我们还会从蒲伯,斯威夫特,拜伦以及斯特恩入手,研究一下那个时代脏话的文学起源。第二集 荤段子与艳照在维多利亚时期严谨,纯洁,禁欲的价值观中幸存下来的英国讽刺文学和猥琐粗俗的幽默传统,是如何在20世纪前半叶得到了繁荣发展?我们回去调查由摄影技术引发的道德恐慌,因为火辣的照片变得唾手可得。我们还会去关注由早期连环画经典形象Ally Sloper所存在的那个粗鲁又讽刺意味鲜明的世界。最后,咱们要去看看码头上的西洋景以及唐纳德·麦吉尔的明信片艺术中如何催生出了海滩上的猥琐文化。第三集 猥琐到极致是谓无敌关于英国讽刺文学和猥琐粗俗的幽默传统的探索将会把视线转向20世纪60年代出现并持续至今的大众民主式的粗鲁野蛮。我们将会探索复兴的粗俗政治漫画,Viz杂志中的滑稽艺术,乔·奥顿的剧院,霍恩周围的无线电广播,以及地下杂志Oz。电视上粗俗的历史可以从《永不分离》追溯到《小不列颠》...最后我们要关注,性别歧视者和种族主义者是如何看待这些粗俗喜剧的。
回复 :According to Giorgio Vasari, the first art historian, the Renaissance was centred on a revival of interest in classical art that began and flourished in Italy. Waldemar disagrees, and accuses Vasari of errant jingoism. In fact, the most significant early developments in Renaissance art took place not in Italy, but in the ‘barbarian’ lands of Flanders and Germany. Instead of understanding the Renaissance as a return to classical models, we should see it as a climax of medieval values - an epoch of huge religious passions and powerful human emotions.The series will celebrate material that is new to television. Waldemar will include art that is not usually thought of as Renaissance art. This will involve 're-classifying' what is sometimes called Late Gothic, and showing it off as a marvellous and native artistic tradition, particularly in the remarkable field of polychrome sculpture. On top of all the new art to be introduced, Waldemar will also look from fresh and intriguing angles at many of the established Renaissance giants, including Michelangelo in the Vatican, Leonardo in the Louvre, Botticelli in the Uffizi and Van Eyck in Ghent.