胜华高中的复读班上，欧美新来了一个转学生林湘之（赵今麦 饰），欧美她文静聪明却总是孤独一人，不跟其他的同学做朋友。但这样的她却吸引了班上的学渣徐又树（林一 饰）的注意。在徐又树不断想跟林湘之做朋友的过程中，他和古灵精怪的宋晓楠（沈月 饰）、高冷学霸蒋吾（汪佳辉 饰）发现了林湘之的秘密，原来她患了一种特殊的疾病，她对朋友的记忆只有七天。为了帮助这个孤独的女孩，他们四个人组成了“末日生存”小队不断为她创造惊喜和属于他们的记忆。殊不知，林湘之的疾病背后却有个更悲伤的秘密......影片根据叶月抹茶同名漫画改编。
卢冠廷
回复 :转自：http://www.filmlinc.com/nyff/2010/views-from-the-avant-garde-friday-october-1/views-from-the-avant-garde-jean-marie-straub“The end of paradise on earth.”—Jean-Marie StraubThe 33rd verse and last chant of “paradise” in Dante’s Divine Comedy. The film starts with verse 67, “O somma luce…” and continues to the end. “O Somma luce” recalls the first words uttered by Empedocles in Danièle Huillet and Jean-Marie Straub’s 1987 The Death of Empedocles—“O himmlisch Licht!…” (O heavenly light!). This extract from Hölderlin’s text is also inserted into their 1989 film Cézanne.“O somma luce” invokes utopia, or better still “u-topos,” Dante, Holderlin, Cézanne… the camera movement, recalling Sisyphus, in the film’s long shots, suggests its difficulty.In O somma luce, with Giorgio Passerone’s Dante and the verse that concluded the Divine Comedy, we find at the extremity of its possibilities, the almost happy speech of a man who has just left earthly paradise, who tries to fully realize the potential of his nature. Between the two we find the story of the world. The first Jean-Marie Straub film shot in HD.So singular are the textual working methods of Straub-Huillet, and now Straub on his own, that it is hard to grasp how far reaching they are. Direction is a matter of words and speech, not emotions and action. Nothing happens at the edges, everything is at the core and shines from there alone.During the rehearsals we sense a slow process by which ingredients (a text, actors, an intuition) progress towards cohesiveness. It is, forgive the comparison, like the kneading of dough. It is the assembling and working of something until it becomes something else… and, in this case, starts to shine. Actually it’s very simple, it’s just a question of opening up to the light material that has been sealed up. Here, the process of kneading is to bring to life and then reveal. The material that is worked on is speech. So it is speech that becomes visible—nothing else. “Logos” comes to the cinema.The mise en scène of what words exactly?The process of revealing, “phainestai”; “phainomenon,” the phenomenon, is what take splace, what becomes visible to the eye.Is “Straubie” Greece?This mise en scène of speech, which goes beyond a close reading of the chosen text, is truly comes from a distant source.—Barbara Ulrich
回复 :If there's one thing that the men of Rockford Texas love as much as their women, it's their guns. But when a gun incident at a neighborhood school spurs one stay at home mom, Jenna (Andrea Anders), to rethink Rockford's obsessive gun culture, life in this idyllic town is turned upside-down. Much to the chagrin of her husband, (Matt Passmore), Jenna ignites a movement by recruiting the women to withhold sex from the men until every gun in Rockford is vanquished. A wild and hilarious showdown ensues between the sexes. As tensions and libidos rise, the men and women of Rockford must decide what's really important: keeping the peace or getting a piece.
回复 :Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter & Sloane, Fran?ois Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！
