剧情简介
80年代，日韩健民制药厂厂长魏健民，日韩在“利民霉素”投产与“三废”的处理之间顾此失彼，因而妨碍了郊区的农业生产，干扰了植物研究所的科研工作，影响了附近居民的身体健康。某报社记者高立言赞扬“利民霉素”的报道刚发表，就收到许多群众来信。高立言再次深入调查，又发表了批评药厂的文章。于是，围绕着药厂产生了一系列矛盾冲突。最后，魏厂长认识到“三废”的危害，决心治理，在搞生产的同时，积极注意做好环境保护工作。
日韩三级在线
80年代，日韩健民制药厂厂长魏健民，日韩在“利民霉素”投产与“三废”的处理之间顾此失彼，因而妨碍了郊区的农业生产，干扰了植物研究所的科研工作，影响了附近居民的身体健康。某报社记者高立言赞扬“利民霉素”的报道刚发表，就收到许多群众来信。高立言再次深入调查，又发表了批评药厂的文章。于是，围绕着药厂产生了一系列矛盾冲突。最后，魏厂长认识到“三废”的危害，决心治理，在搞生产的同时，积极注意做好环境保护工作。
回复 :本片根据真实历史事件改编。1971年，黑人激进组织领导迈克尔X因贩毒被控告，但因他一年前取得了英国皇室成员玛格丽特公主的私密照片并以此要挟官方而被开释。英国军情五处工作人员提姆（Richard Lintern 饰）受命取回收藏在伦敦某银行的这批照片。提姆物色到贩毒女子玛婷（Saffron Burrows 饰），要挟她抢劫银行来为自己取得照片。玛婷很快同以泰瑞（Jason Statham 饰）为首的几个半职业罪犯或新人组成了计划挖地道劫掠保险库的团伙。泰瑞等人如愿将保险库洗劫，但赃物却让他们坐立不安：涉及皇室成员的私密照片、银行家行贿官员的账本、高官们不可告人的龌龊爱好……由于一位无线电爱好者无意间听到了他们作案时的对话内容，此案掀起轩然大波，泰瑞等人陷入了各种势力争夺的中心，他只能借助手上的证据苦苦周旋……
孙建平
回复 :It has been said that most great twentieth century novels include scenes in a hotel, a symptom of the vast uprooting that has occurred in the last century: James Ivory begins Quartet with a montage of the hotels of Montparnasse, a quiet prelude before our introduction to the violently lost souls who inhabit them.Adapted from the 1928 autobiographical novel by Jean Rhys, Quartet is the story of a love quadrangle between a complicated young West Indian woman named Marya (played by Isabelle Adjani), her husband Stefan (Anthony Higgins), a manipulative English art patron named Heidler (Alan Bates), and his painter wife Lois (Maggie Smith). The film is set in the Golden Age of Paris, Hemingway's "moveable feast" of cafe culture and extravagant nightlife, glitter and literati: yet underneath is the outline of something sinister beneath the polished brasses and brasseries.When Marya's husband is put in a Paris prison on charges of selling stolen art works, she is left indigent and is taken in by Heidler and his wife: the predatory Englishman (whose character Rhys bases on the novelist Ford Madox Ford) is quick to take advantage of the new living arrangement, and Marya finds herself in a stranglehold between husband and wife. Lovers alternately gravitate toward and are repelled by each other, now professing their love, now confessing their brutal indifference -- all the while keeping up appearances. The film explores the vast territory between the "nice" and the "good," between outward refinement and inner darkness: after one violent episode, Lois asks Marya not to speak of it to the Paris crowd. "Is that all you're worried about?" demands an outraged Marya. "Yes," Lois replies with icy candor, "as a matter of fact."Adjani won the Best Actress award at Cannes for her performances in Quartet: her Marya is a volatile compound of French schoolgirl and scorned mistress, veering between tremulous joy and hysterical outburst. Smith shines in one of her most memorable roles: she imbues Lois with a Katherine-of-Aragon impotent rage, as humiliated as she is powerless in the face of her husband's choices. Her interactions with Bates are scenes from a marriage that has moved from disillusionment to pale acceptance.Ruth Prawer Jhabvala and James Ivory's screenplay uses Rhys's novel as a foundation from which it constructs a world that is both true to the novel and distinctive in its own right, painting a society that has lost its inhibitions and inadvertently lost its soul. We are taken to mirrored cafes, then move through the looking glass: Marya, in one scene, is offered a job as a model and then finds herself in a sadomasochistic pornographer's studio. The film, as photographed by Pierre Lhomme, creates thoroughly cinematic moments that Rhy's novel could not have attempted: in one of the Ivory's most memorable scenes, a black American chanteuse (extraordinarily played by Armelia McQueen) entertains Parisian patrons with a big and brassy jazz song, neither subtle nor elegant. Ivory keeps the camera on the singer's act: there is something in her unguarded smile that makes the danger beneath Montparnasse manners seem more acute.
申升勋
回复 :한 사람의 결혼으로 관계가 끝난 줄 알았던 섹스파트너 ‘현대’와 ‘민주’.하지만 멈출 수 없는 욕망에 성적으로 타락해가는 ‘현대’와가질 수 없는 것에 대한 욕망을 포기하지 못하는 ‘민주’,그리고 두 사람과 복잡하게 얽힌 인물들의 적나라하고 추악한 욕망까지…‘섹스’에 ‘발광’하는 혼돈의 현대사!추악한 욕망 속에 숨겨진 자극적이고도 씁쓸한 이야기가 시작된다.
