剧情简介
在香港新界的一栋別墅里，本田富商的妻子正与情夫偷情，本田不料，富商回来逮个正着，却反被奸夫打死，埋在花园里，某酒廊经理咪咪和男友阿弟租下別墅，结果怪事连连发生，一连串的命案也一件件出现...
本田甲视频
在香港新界的一栋別墅里，本田富商的妻子正与情夫偷情，本田不料，富商回来逮个正着，却反被奸夫打死，埋在花园里，某酒廊经理咪咪和男友阿弟租下別墅，结果怪事连连发生，一连串的命案也一件件出现...
回复 :英国政府处心积虑想要侵入秘密的俄国间谍组织,麦肯塔故意指派约瑟夫里登假装一位珠宝大盗去偷取宝石.由于机密外泄,李登便被逮捕并被带往一个严禁森密的监狱,在狱中李登遇上了两位想要越狱的犯人,这次越狱的行动是某个秘密组织计划的,当李登越狱成功时....
蔡妙甜
回复 :在上世纪六十年代，本片也许称得上是007系列间谍片的最佳翻版电影了。理查德·约翰逊扮演剧中的男主角休·卓曼——一个风度翩翩，性格温和的保险业调查员，他独自一人前往追踪两个妖艳、性感的女杀手——埃克曼及帕尼罗贝，她们甘愿充当“肉体炮弹”，引无数男人竞折腰，从中取乐并获得可观的报酬……一位石油公司的高级主管在吸了一支雪加烟之后，神秘地死在了自己的私人包机上。公司董事会怀疑其中有诈，便雇请了卓曼来调查此案。原来，英国某大公司为了控制某阿拉伯国家的石油开采权，于是不择手段地派出两名美女杀手，指使她俩用美人计到处去暗杀商业竞争对手。从雾都伦敦到阳光明媚的地中海沿岸，卓曼一路寻迹而来。他感到自己已经深陷一场猫捉老鼠的凶险游戏当中，再也无法激流勇退了，唯一的出路就是——与隐藏在幕后的大魔头决一死战……◎ 关于导演：《女人比男人更凶残》也许是最好的模仿007James Bond的电影了。主角理查德·约翰逊无论是俊朗潇洒的外型还是风流倜傥的气质都十分符合007电影的要求。而大反派奈杰尔·格林的阴冷表现也绝对令人印象深刻。两位养眼大美女艾尔卡·索莫和希尔弗·考斯茜娜在片中身穿比基尼泳装手拿鱼叉的造型很显然是向007电影《诺博士》乌苏拉的经典造型的模仿。整部影片融合了动作和悬疑等诸多的成功元素，并具有非常强的观赏性和娱乐性。
李双江
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
