石头(苗亮 )作为中国人民解放军一个缩影,点第辗转在建军史上的多个重大事件及战役中,点第并且与八路军女战士(宋之光)在圣地延安萌生了一段刻骨铭心的爱情,然而战争又一次无情地吞灭了那些美好与感动,石头在失去至爱的心理打击下重回战场,在那些炮火纷飞的年代里,他不惧牺牲、英勇顽强,只为让后人重拾美好、幸福与自由……
石头(苗亮 )作为中国人民解放军一个缩影,点第辗转在建军史上的多个重大事件及战役中,点第并且与八路军女战士(宋之光)在圣地延安萌生了一段刻骨铭心的爱情,然而战争又一次无情地吞灭了那些美好与感动,石头在失去至爱的心理打击下重回战场,在那些炮火纷飞的年代里,他不惧牺牲、英勇顽强,只为让后人重拾美好、幸福与自由……
回复 :2003 弗罗里达州影展--最佳纪录片评审团大奖2003 加拿大国际纪录片展最热门票选--国际组最佳剧情纪录片2003 华盛顿州汤森港(Port Townsend)影展--最佳纪录片2003 德国柏林Ecomove影展--大奖2004 第五十三届柏林国际电影节CICAE特别提名奖2004 独立精神奖最佳纪录片入围美国/格鲁吉亚2003年保罗.戴佛伦(Paul Devlin)编导的纪录片,这是一部充斥了腐败、暗杀和街头暴力得奖佳作!!
回复 :二十世纪初期是西部的转型期,但著名的侦察员兼神枪手汤姆霍恩(史蒂夫.麦奎因饰)无视时代变迁,仍坚持个人的生存原则,以单枪匹马搜捕罪犯为生,最后被时代淘汰。本片根据汤姆.霍恩的自传改编,以冷峻手法表现一个没落西部英雄的形象,手法传统,故事清淡,但颇能捕捉到暴力与死亡的痛苦感觉。
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.