本剧讲述了平时时空里两个桑榆的故事。天才桑榆（杨奇鸣 饰）的人生一帆风顺，线中文字幕从小就是瞩目的神童，线中文字幕长大后更是轻易获得别人的掌声和鲜花，也轻易地收获爱情。人生的顺风顺水让造成桑榆自负的人格，因一个小小的契机，桑榆同时失去了事业、友情和爱情。绝望的他难以接受现实，选择了轻生，就 在此时，他看到了平行世界里的另一个自己。另一个桑榆是个最平凡不过的普通人，学习成绩位于中游，相貌平凡不起眼，对于喜欢的女孩也只能远远观望。失败的人生造成桑榆自卑的人格，在他看到朋友的成功时，他意识到自己将永远也追不上心爱的女孩。在一个失意的雨夜里，两个桑榆相遇了……
回复 :杰西（理查·基尔 Richard Gere 饰）是一个桀骜不驯又特立独行的青年，过着放荡不羁的生活。杰西在拉斯维加斯偷了一辆车，并和警方发生了交火，意外中，杰西杀死了一名警察，成为了通缉犯。无奈之下，杰西只得踏上逃亡的旅途，他的目的地是洛杉矶。在洛杉矶，杰西找到了之前结识的女孩莫妮卡（范蕾丽尔·卡帕里斯基 Valérie Kaprisky 饰），对莫妮卡一见钟情的杰西希望前者能够和他一起去墨西哥生活。莫妮卡出生在一个非常保守的家庭之中，过着循规蹈矩的生活，杰西的大胆建议让她心动不已。然而，最终，莫妮卡发现了杰西的通缉令，意识到自己一直和一名杀人犯在一起，慌乱之中，莫妮卡报了警。
黄喆宇
回复 :Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
宋岩欣
回复 :求婚尚未成功，下次仍需努力！求婚次數∞路克的手機鬧鐘響起，開始特別的一天：為求婚行程做準 備。當晚上的重頭戲來臨，路克單膝下跪，說出請妳嫁給我的標準台詞，女友小彩原本開心的樣子卻拉下臉來，拒絕了他並轉頭離開。路克起身追了上去，但視線卻逐漸模糊了起來??。鬧鐘再度響起，他起身後發現竟然又回到同一天早晨，重複上演被小彩拒絕求婚！女友的拒絕彷彿一道咒語，日復一日陷入求婚的無限迴圈，到底怎麼回事？本片由新銳導演稅成鐸執導，蔡凡熙及郭書瑤繼《通靈少女》後二度攜手合作，以時間不停回朔的概念為主題，展開一場瘋狂又奇幻的求婚之旅，宛如青春浪漫版的《今天暫時停止》。
