《大唐西域记》记载,死库水视古龟兹国有座大龙城,死库水视传说里面遍地是财宝,城中生活着一群龙人,他们高大威武,力大无穷。后来龟兹王暗中联合突厥将不服统治的龙人斩尽杀绝并摧毁了大龙城。几千年来,无数的冒险家们想要寻得其中的宝藏,却都有去无回。民国初年,留洋归国的富家千金龙飘飘来到一座西域古镇,以失传的发丘印为饵邀请发丘中郎将张天佑寻找传说中的大龙城;张天佑带着摸金、搬山、卸岭共四大盗墓高手向着茫茫大漠进发,而他们即将面对的是险象环生的墓门机关、千年僵尸王,还有那沉睡久远的真龙。
《大唐西域记》记载,死库水视古龟兹国有座大龙城,死库水视传说里面遍地是财宝,城中生活着一群龙人,他们高大威武,力大无穷。后来龟兹王暗中联合突厥将不服统治的龙人斩尽杀绝并摧毁了大龙城。几千年来,无数的冒险家们想要寻得其中的宝藏,却都有去无回。民国初年,留洋归国的富家千金龙飘飘来到一座西域古镇,以失传的发丘印为饵邀请发丘中郎将张天佑寻找传说中的大龙城;张天佑带着摸金、搬山、卸岭共四大盗墓高手向着茫茫大漠进发,而他们即将面对的是险象环生的墓门机关、千年僵尸王,还有那沉睡久远的真龙。
回复 :平凡无奇的美女汽车修理师茱恩·哈文斯(卡梅隆·迪亚茨 Cameron Diaz 饰)如何也想不到,她回家的路途竟会变得如此漫长而险象环生。最初,她一波三折登上了开往家乡波士顿的神秘航班,机上乘客寥寥,茱恩与在机场有过短暂接触并拥有迷人气质的陌生男子罗伊·米勒(汤姆·克鲁斯 Tom Cruise 饰)相谈甚欢。看起来一段浪漫美好的旅途恋情即将展开,谁知短短几分钟过后,机舱便被恐怖肃杀的氛围所替代。除罗伊外,所有乘客和飞行员全部毙命。原来罗伊的正体是一名训练有素、身手不凡的特工,他持有一枚重要的电池,而这也成为一众叛徒特工不择手段急于得手的主要原因。茱恩也许猜对了结局,却根本没有猜到过程。在接下来的日子里,她将和罗伊上天入地、周游世界,享受枪林弹雨、血雨腥风旅途中的浪漫与惊险……
回复 :故事聚焦一位有前科者,他被克里斯平·格洛弗扮演的变态杀手所追踪。
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.