名门家族白虎派在当家洪德子女士的带领下蒸蒸日上,污污午夜三个儿子也很孝顺她。然而表面风光的洪德子却有一件很苦恼的事情,污污午夜那就是三个儿子都早已到了结婚的年龄却没有一个结婚的。为了家族的兴旺,她给三个儿子下了一道死命令——在她的六十大寿之前找一个出类拔萃能撑的起家业的媳妇带回家。三个儿子集体出动闹出无数笑话终于找到了一位符合母亲条件的女孩子,但这位准媳妇却是一位雷厉风行的女律师,想让家族兴旺不料却使家族陷入了危机。究竟洪德子和她的三个儿子能否度过难关?能不能把这位准媳妇娶进家门?
名门家族白虎派在当家洪德子女士的带领下蒸蒸日上,污污午夜三个儿子也很孝顺她。然而表面风光的洪德子却有一件很苦恼的事情,污污午夜那就是三个儿子都早已到了结婚的年龄却没有一个结婚的。为了家族的兴旺,她给三个儿子下了一道死命令——在她的六十大寿之前找一个出类拔萃能撑的起家业的媳妇带回家。三个儿子集体出动闹出无数笑话终于找到了一位符合母亲条件的女孩子,但这位准媳妇却是一位雷厉风行的女律师,想让家族兴旺不料却使家族陷入了危机。究竟洪德子和她的三个儿子能否度过难关?能不能把这位准媳妇娶进家门?
回复 :温蒂(达科塔·范宁 Dakota Fanning 饰)自幼患有自闭症,又不幸失去了父母,姐姐将她送进了特殊教育学校,希望她在那里能够锻炼出在这个社会独立生存的基本能力。实际上,不善与人交流的温蒂拥有异常丰富的精神世界以及出色的文笔,校长斯科蒂(托妮·科莱特 Toni Collette 饰)意外的发现温蒂竟然创作出了一个非常出色的剧本。温蒂是《星际争霸战》的头号粉丝,一次偶然中,她得知派拉蒙电影公司正在公开征集剧本,于是她决定将自己的剧本送往好莱坞。就这样,从来没有独自出过远门的温蒂踏上了前往好莱坞的旅途,一路上等待着她的是无穷无尽的麻烦。
回复 :Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...
回复 :A portrait of a man who analyses his life on his 44th birthday. The past and the present, the actual and potential developments blend in a dreamy vision. "The protagonist seems to assume that travelling in time is possible, and things happen in an imaginary, invented time which he fittingly adjusts and changes", said Konwicki in the Film Press News 1/1972. The film is a formally complex analysis of what is commonly referred to as the Polish fate. Awards: 1972 - The Warsaw Mermaid of the Film Critics' Club at the Polish Journalists' Association in the feature film category; Special Jury Award at the Lubuskie Film Summer in Lagow; 1973 - Special Award for Screenplay at the San Remo Film Festival.