故事的发生地是湖北产茶大镇——谷城五山镇。每年阳春三月，成年这里花红茶绿，成年人声鼎沸，茶叶的丰收让茶农们忙得喘不过气来。他们就跑到城里的劳动力市场找人来当采茶工，以质论价，按量付钱。每年都吸引了很多城里人来做季节工。富大龙在片中饰演一个在生意上比较精明但在女孩面前拘谨木讷的茶场主。他演的回乡青年宋大雄，带头承包茶园种植有机茶。由于种植面积扩大，他独辟蹊径到城里请来十几个求职的大学生，清一色的漂亮女孩。这些女孩要求挺多，朴实的他一一满足了姑娘们的要求，教她们采茶、炒茶。后来他得到其中一个女孩章丽蕾的爱慕，最终把她留了下来。制作公司： 北京电影制片厂 Beijing Film Studio [中国]
施孝荣
回复 :子俊和表妹辛蒂青梅竹马，后来芷珊出现了，和子俊坠入爱河。但二人身份相差悬殊，子俊的父母极力的反对这段关系。于是懂事的芷珊选择了放手，她借假死来彻底断绝和子俊的关系。就在子俊心灰意冷准备重新开始新的生活时，子俊发现芷珊并没有死，并且重新出现在子俊的生活中，于是子俊这次排除万难，不再理会父母的反对，与芷珊共度余生。演职员
王凯骏
回复 :伦敦唐人街一赌场遭独行杀手突袭，两东主当场遇害，当地华裔帮板Edward叶查出东主契侄“超短波”仇家甚多，经已避返香港，怀疑此案事出寻仇，于是往香港追查……
吴骏毅
回复 :The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief."Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.
