0588午夜福利手机看不卡视频
地区:香港
  类型:ʱװ
  时间:2025-05-01 01:57:14
剧情简介

午夜Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.

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明星主演
李安琪
胡雯
乡裕美
最新评论(739+)

馨予

发表于5分钟前

回复 :在高中里,一位独眼男孩和一位120公斤的胖女孩在校园相遇,这两位“校园怪人”出人预料地陷入了爱河。毕业后,女孩去了远方上大学,居然还减肥成功。两人再度见面后,男孩对女孩的变化十分意外,他似乎难以接受女孩全新的形象,陷入了内心的挣扎之中;女孩也因此疑惑男孩究竟是不是她命中注定的爱人。随着两人的距离越来越远,更多的现实因素,逼迫他们认清各自现在与过去的模样,以及旁人的目光,是如何看待他们这群先天有缺陷的“怪人”。这是一部风格独特的校园浪漫喜剧,既有反映社会现实冷酷的一面,也有温馨感人的镜头。该片参加了2017年的克利夫兰电影节、牛津电影节等。


方怡萍

发表于4分钟前

回复 :班内特(Bennet)牧师的五个女儿仍然单身。 当非常有资格的威尔·达西(Will Darcy)到达镇上时,班内特(Bennet)夫人将目光投向了女儿丽兹(Lizzie)和那个英俊的单身汉。


香清

发表于9分钟前

回复 :铁老大(陈建斌 饰)几年前在外地打工回到家乡之后,就不愿再离开家乡了,他决心安于现状,在茫茫大山深处养家糊口。他与弟弟在乡村的垭口开着摩的,维持基本的生计。一个午后,摩的司机们围聚于垭口等待乘客。铁老大没有想到这竟是他与兄弟的最后一次见面。一个乘坐弟弟摩托的长发青年(吴秀波 饰)在静谧的半道上突起歹意,持刀抢车,将弟弟杀害,然后驾车逃逸。铁老大决定千里追凶,为弟弟报仇雪恨。他骑着摩托车从南跑到北,贵州、重庆、内蒙、山西;一路追踪,历经背叛、欺诈、世态险恶与自我情感的挣扎,最后在一家黑煤矿找到凶手,自己却也一同陷入绝境……


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