剧情简介
Audrey Ames是一位有进取心的记者，亚洲试图从伊利诺斯州实验农场偶然发现的巨型蝗虫那里得到独家新闻。她努力拯救芝加哥，尽管军队掩盖了一切。
亚洲精品套图
Audrey Ames是一位有进取心的记者，亚洲试图从伊利诺斯州实验农场偶然发现的巨型蝗虫那里得到独家新闻。她努力拯救芝加哥，尽管军队掩盖了一切。
谈莉娜
回复 :Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007Author: TimothyFarrell from Worcester, MA"Wild in the Streets" comes from the same school of film making that spawned other attempts to connect to the counterculture such as "Skidoo" and "Candy". The difference between this and the aforementioned films is that "Wild in the Streets" is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike "The Trip" and "Psych-Out" (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of "grooviness". The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). "Wild in the Streets" isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch "The Trip" or "Psych-Out" however. (6/10)-from imdb
曾仁郁
回复 :《海边的朝日与骗子们》 是去年福岛中央电视台创立50周年纪念作品，故事围绕着守护电影院，电影文化展开！去年已经播出了电视剧特别版，此次的电影版是讲述电视剧版之前的故事。本片将于今年9月10日在日本上映，福岛县则将在8月27日先行上映。
山下达郎
回复 :大學副教授艾蜜莉遭不明人士綁架，被丟進一個時間持續倒數的密室中，她的記憶喪失，更別說是被綁到這裡的原因。驚恐又充滿疑惑的她，在牆縫發現一個寫有日期的火柴盒，裡頭還夾了一支鑰匙，艾蜜莉意外地對這些東西感到熟悉，但上頭的日期究竟是什麼意思？鑰匙又是拿來開啟何物？艾蜜莉得把握時間趕快找回記憶才行。
