虫师 续章
地区:日本
  类型:穿越
  时间:2025-04-30 21:33:56
剧情简介

第80届奥斯卡颁奖典礼于美国时间2008年2月24日(北京时间25日上午)在柯达剧院举行,虫师各大奖项一一揭晓。《老无所依》无悬念摘取最佳影片、虫师导演、改编剧本、男配角4项大奖,成为当晚最大赢家。《谍影重重3》以100%的获奖率爆冷!四大表演奖则将国际化进行到底——丹尼尔·戴·刘易斯和蒂尔达·斯温顿来自英国,贾维尔·巴丹来自西班牙,玛丽昂·歌迪亚来自法国。★第80届奥斯卡金像奖★获奖名单(相关【豆列】http://www.douban.com/doulist/121117/)【最佳影片】老无所依(No Country for Old Men)【最佳导演】科恩兄弟《老无所依》/ Joel and Ethan Coen, No Country for Old Men【最佳男主角】丹尼尔·戴·刘易斯《血色将至》/ Daniel Day Lewis, There Will Be Blood【最佳女主角】玛丽昂·歌迪亚《玫瑰人生》/ Marion Cotillard, La Vie en Rose【最佳男配角】贾维尔·巴丹《老无所依》/ Javier Bardem, No Country for Old Men【最佳女配角】蒂尔达·斯温顿《迈克尔·克莱顿》/ Tilda Swinton, Michael Clayton【最佳原创剧本】达波罗·科迪 《朱诺》/ Diablo Cody, Juno【最佳改编剧本】科恩兄弟《老无所依》/ Joel and Ethan Coen, No Country for Old Men【最佳摄影】血色将至(There Will Be Blood)【最佳剪辑】谍影重重3(The Bourne Ultimatum)【最佳音响效果】谍影重重3(The Bourne Ultimatum)【最佳音效剪辑】谍影重重3(The Bourne Ultimatum)【最佳视觉效果】黄金罗盘(The Golden Compass)【最佳艺术指导】理发师陶德(Sweeney Todd)【最佳化装】玫瑰人生(La Vie en Rose)【最佳服装设计】伊丽莎白:黄金时代(Elizabeth: The Golden Age)【最佳歌曲】"Falling Slowly" -《曾经》(Once)【最佳配乐】达里奥·马利安那利 《赎罪》/ Dario Marianelli, Atonement【最佳外语片】伪钞制造者(The Counterfeiters,奥地利)【最佳纪录长片】开往暗处的的士(Taxi to the Dark Side)【最佳动画长片】料理鼠王(Ratatouille,迪士尼/皮克斯)【最佳动画短片】彼德与狼(Peter & the Wolf)【最佳真人短片】扒手莫扎特(Le Mozart des Pickpockets/The Mozart of Pickpockets)【最佳纪录短片】同志争平权(Freeheld)【终身成就奖】罗伯特·博伊尔获奖统计——4 老无所依3 谍影重重32 血色将至2 玫瑰人生1 赎罪1 迈克尔·克莱顿1 料理鼠王1 朱诺1 理发师陶德1 伊丽莎白:黄金时代1 黄金罗盘1 曾经1 伪钞制造者1 开往暗处的的士1 彼德与狼1 扒手莫扎特1 同志争平权

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曹成模
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朴孝信

发表于7分钟前

回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.


谜样乐团

发表于7分钟前

回复 :电视动画片《Fairy兰丸~让我来帮助你的心~》是由STUDIO COMET负责制作的作品,2021年4月放送开始。原创动画《Fairy兰丸》公开的主宣图与PV。在这次的PV中,伴随着5位主人公组成的组合5 to HEAVEN演唱的OP主题曲,收录了5人的变身等的场景。


萧敬腾

发表于6分钟前

回复 :天地成为了女子高中的教师!?因为鹫羽而引起的问题、世界陷入大危急!为了拯救世界的危机,天地化身为女子高中的实习教师潜入了顺爱学园。拥有与生俱来的卷入事件体质的天地赴任之初、各种各样的问题就从天而降。就是这样,天地的苦难教师生活开始了…。


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