导 演：精品陈国星编 剧：精品陈国星上 映：1991年地 区：中国大陆颜 色：彩色类 型：剧情片制作公司：北京电影制片厂[中国]主 演：张强刘斌解衍蔡洪祥梅琳是心理咨询中心的青年女医生。一天夜里，她接到一个电话：“我杀人了，我手上有血。”这个深夜里来的电话使得梅琳和公安特警肖和相识。梅琳冷淡而又彬彬有礼地回答了肖和的提问。梅琳风采迷人，连她的病人也常常痴迷于她。一天，她在购物中心为患者买治疗玩具，被她的病人二黑跟踪。深夜，那个恐怖的匿名电话又来了，梅琳机智地将电话录了音，她反复听了录音，发现有轮船汽笛声伴着男子低哑的声音。她来到码头作业区找线索，与肖和不期而遇。通过先进的监听装置，警方查出是二黑打的电话。调查证明，二黑不是凶犯，他只是凶杀案的目击者。他在杀人现场受到强烈的刺激后，患有“逆行性遗忘症”。格经琳，肖和竭尽全力帮助二黑恢复记忆。童年时他与小女伴在湖中划船，波涛涌起，女伴跌入湖中，从此，二黑就背负着沉重的犯罪感，引起心理疾病。二黑终于认出凶犯，走私犯罪团伙头子迪克。迪克及其同伙在顽抗时被击毙。梅琳和肖和也渐渐相知相恋。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
回复 :出品单位 郑州华视德影视有限公司本片以轻喜剧的形式再现了在新型农村社区建设中，老汉贾大顺不拆迁老屋这件事，引发了渔湾村村支部和村委会成员、大学生村官、自主创业复转军人与村里的“老顽固”们智斗的过程，通过新型管理模式，化解了人们之间的矛盾，最终村里拆迁了老屋，老汉“上楼”过上了安居乐业的小康生活……
蔡妙甜
回复 :二次大战，一位美军上尉杰克Wosick，负责率领一支杂牌军，别号「野猪部队」，专在敌后从事背后突击纳粹的秘密任务。在一位法国外籍兵团上尉协助下，专门暗杀纳粹士兵。
