剧情简介
杰克和小马曾是朋友，杉原一晚二人在餐馆相遇。小马对她极有兴趣，杉原杰克想避开小马，但小马缠著他。给他吸毒，然后不顾杰克女友的反对，两人到塔格家找她，进而大打出手，对塔格全家而言，好好的一晚变成一场恶梦。
杉原杏视频
杰克和小马曾是朋友，杉原一晚二人在餐馆相遇。小马对她极有兴趣，杉原杰克想避开小马，但小马缠著他。给他吸毒，然后不顾杰克女友的反对，两人到塔格家找她，进而大打出手，对塔格全家而言，好好的一晚变成一场恶梦。
回复 :25年前，高中生任娜美（沈恩京 饰）一家从全罗道搬到汉城，娜美入读真德女子高中，因方言浓重怯于开口的娜美幸运的得到了同班大姐头夏春花（姜索拉 饰）的维护，并与围绕在夏春花周围的执着于双眼皮的金玫瑰、满嘴脏话的黄珍熙、梦想成为作家的徐金玉、要成为韩国小姐的俞福姬以及沉默傲慢的美人郑秀智等五人结识。在一次和不良少女团对决之后，春花和娜美等七人组成了“Sunny”团体……多年以后，家庭主妇娜美在去医院探望母亲时偶然重逢了身患绝症住院的春花，后者希望在生命的最后两个月内，能够再见当年的Sunny成员。娜美找到金玫瑰，两人委托私家侦探寻找当年的同伴，而那些关于青春的回忆，也在一个个熟悉的名姓后面再次被唤醒。
平原绫香
回复 :在一次离奇的案件行动中，警察马进（谢霆锋 饰）击毙连环杀手“将军”（高伟光 饰），却被对方射穿心脏，命悬一线，意外之下接受了心脏移植手术。时隔一年半，国际上惊现数宗与“将军”作案手法完全一致的惊天大案，康复后的马进主动请缨，与犯罪心理学教授车家伟（刘青云 饰）联手展开调查。随着案情深入，马进发现了车教授身上藏有鲜为人知的秘密，车教授对“换心”后的马进也产生了特别的兴趣。在二人互相试探、智斗暗涌的过程中，马进妻子莫秀（范晓萱 饰）与神秘女子陈相茹（佟丽娅 饰）也逐渐卷入事件，一场危及全港百万人生命的大战悄然引爆……
回复 :Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. Magdalena lives with her adopted parents and works in an art gallery. The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion.Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.
