2048年,久久曹小铭耗尽毕生精力制造了机器人小夏,久久将小夏传送到了2018年。各种倒霉的事情接踵不断,这样过着孤独生活的曹小铭在22岁生日那天突然遇到了生命中的那个她。小夏的出现彻底打乱了曹小铭的生活,对这个天真,白痴又可爱的女孩。曹小铭一败涂地,少男心泛滥的他最后竟然收留了这个女孩,并决定帮她找到家人,随着与小夏的相处,曹小铭慢慢对她产生了情感,但是小夏的真实身份揭开后,却让曹小铭变得不知所措···
2048年,久久曹小铭耗尽毕生精力制造了机器人小夏,久久将小夏传送到了2018年。各种倒霉的事情接踵不断,这样过着孤独生活的曹小铭在22岁生日那天突然遇到了生命中的那个她。小夏的出现彻底打乱了曹小铭的生活,对这个天真,白痴又可爱的女孩。曹小铭一败涂地,少男心泛滥的他最后竟然收留了这个女孩,并决定帮她找到家人,随着与小夏的相处,曹小铭慢慢对她产生了情感,但是小夏的真实身份揭开后,却让曹小铭变得不知所措···
回复 :《营救徐九》讲述了律师沈忆秋的女儿果果突然被绑架了,绑匪要求她救出一名杀人犯徐九。为了救回女儿,沈忆秋接下了徐九的案子,沈忆秋和警长钱涛找到了徐九的时间证人小九红,结果发现小九红已经死了。
回复 :Mili Naudiyal(Janhvi Kapoor 饰)是一名来自台拉登的 24 岁护理专业毕业生,她希望移居加拿大以获得更好的前景,直到她陷入困境。她被锁在一家快餐店的步入式冷冻室里,必须不惜一切代价才能在这个不寻常的死亡陷阱中幸存下来
回复 :Julien Duvivier最好的作品之一也是他认为自己所有默片中最喜欢的一部。SummaryBullied by his matriarchal mother, abused by his siblings, ignored by his father, Poil de Carotte's childhood is as miserable as it could be. An illegitimate child, he is the main reason for the enmity which exists between his parents, who continue to live together just to keep up appearances. In the end, Poil de Carotte's suffering becomes more than he can bear...ReviewDrawing heavily on the poignant novel by Jules Renard on which it is based, Poil de carotte is a modest yet appealing film which has stood the test of time mainly because of the quality of its acting performances and its inherent humanity. It is more memorable than Julien Duvivier's earlier silent version of 1925, also named Poil de Carotte.The part of Poil de Carotte was played by 11 year old Robert Lynen, who was alleged to have been discovered whilst walking down the Champs-Elysées in Paris. Lynen is totally captivating and the film made him an instant star, launching what looked like becoming a very promising film career – until he was shot dead whilst fighting against the Germans in 1944. Harry Baur, a legendary stage and film actor (who also died during World War II, allegedly at the hands of the Gestapo), also turns in a typically fine performance. The reconciliation between father and son at the end of the film provides its most enduring image, enough to melt the heart of all but the most stoical of spectators.