近日，苍中心东方卫视一档全新真人秀《我去上学啦》，苍中心终于露出它神秘的面纱，这是一档由韩国综艺节目《我去上学啦》改编而来的。在原版节目中，嘉宾将和学生们一起听课，一起体验学校生活。如今，这档韩国非常热门的综艺节目《我去上学啦》，将落户2015东方卫视开学季。中国版《我去上学啦》计划从7月9日起每周四晚，在东方卫视播出。该节目将邀请4位固定艺人，担任节目嘉宾，每期还会邀请2位机动艺人加盟。而这四位固定嘉宾分别是，理科学霸钟汉良、好好先生孙艺洲、国民妈妈张凯丽以及呆萌校草蒋劲夫。每期的机动艺人则包括，励志才女李宇春、国民初恋陈妍希、花美男乔任梁、纯情小生罗云熙、暖流大使辰亦儒等偶像明星。他们将深入学校，体验青少年的学校生活，为观众带来诸多笑料和学习经验，这令人非常期待。
回复 :
回复 :漫画连载中，好评，漫画累计突破50万部的话题作品!治愈系的工作喜剧期待的TV动画化!!被上司的权力骚扰，精神和胃都被折磨，桃濑跳槽到广告代理店做销售。但是因为过去的创伤，“如果新上司也是权力骚扰上司该怎么办……”第一天就胃痛得动弹不得。那时，我和他一起跑外勤新上司白崎采取的行动是……?!对于上司意料之外的“天然”，你一定也会被治愈的!!
阿朵
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
