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蜜桃柏林电影节奇遇单元。
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蜜桃柏林电影节奇遇单元。
Ѧ֮ǫ
回复 :影片分为三段故事，约翰.卡彭特拍前两则，托比.胡柏拍最后一则故事。卡彭特本人惟妙惟肖的扮演贯穿全片的负责讲故事的停尸房的老死尸，其幽默的演出绝对具有专业水准。他将停尸房里的一具死尸，一堆烂肉和一粒眼珠的生前经历娓娓道来…第一部分《加油站》故事设定在半夜的一个加油站。一个城市的某个地区近来接连发生了好几起以女性为目标的凶杀案，这晚负责在加油站值夜班新来的实习女大学生成了杀手的新猎物。。。。第二部分《头发》男主角的脱发日渐严重，只好想方设法的增发以保持自己的魅力和自信。于是他根据电视广告来到具有修复坏死皮囊的博士那里…第二天，他的头发果然焕然一新，然而怪事也接踵而至…第三部分《眼睛》讲述一名棒球手遭遇车祸，右眼失明。医院用一名死者的眼球进行移植，恢复后棒球手常常看到可怕的幻象，经过调查才知道他的眼球是来自一名变态杀人狂，而他自己的行为也开始变得越来越可怕…
金景浩
回复 :When the film begins, it is all over. “We know it’s terminal, and that’s all”, says Juliane of her mother Kerstin, who is in great pain and about to die aged just 64. Although the young doctor she consults acknowledges on a personal level that everyone has the right to manage their own death, he nonetheless reminds her that euthanasia is still illegal in Germany. This is even more the case at the Catholic hospice where Kerstin is staying. As relatives come to say goodbye to her mother and the emotions of memories mingle with the anticipation of grief, Juliane finds herself having to do battle with time – unbending, apathetic and monochrome – and this is superbly reflected in the convulsions of the handheld camera in wide shots.Based on personal experience, Jessica Krummacher’s second feature film vividly relates the painful story of losing a parent. There is no violence or morbidity, rather the director describes the most important of events via the smallest, most fragile of details – the exchanging of words, texts and tender gestures that remain with us and get under our skin.
黄蓝白
回复 :「你以为，我们还能回到一开始的纯真吗？」16岁的高中生玉婷（李玲苇饰），惊觉家中多了一个同龄的表妹阿兰（杨富江饰），她是母亲（阮安妮饰）的越南亲戚，因父亲腿断而来台打工。起先玉婷不知该把阿兰当成是外劳或是表妹，但日久，同龄的两人渐成闺蜜。有一天，玉婷意外发现自己的男友（潘亲御饰）竟向表妹告白，燃起妒火的玉婷，开始否定两人的姐妹关系，并私下检举阿兰是非法外劳……。
