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回复 :三个酷爱小轮车运动的青少年,古斯、皮杰和茱迪无意中捡到一箱对讲机,并储放于海边破废的小屋里。三个孩子兴奋地实验对讲机的效果,却不知他们的对话已对公众开放。原来这箱对讲机是一帮银行抢匪打算作案时……
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :憋了巴屈的男主陈大器怀揣祖传古董,阴差阳错的来到大城市里的一个洗浴中心。没想到在这个晚上,破马张飞的糊涂兄弟、贼拉尿性的老大龙哥、吊儿郎当的街头混混,几伙人都各自怀着秘密汇聚在洗浴中心。这些生活中的小角色们阴差阳错、狭路相逢,惹出一场荒诞好戏。