故事讲述一个关于几名闺密之间在一晚内发生的狂想故事，闯入围绕著四 名女生在生活中遇到的失意，闯入只能靠平日喝点酒聊聊天来抒发，不料却由 于一名富二代的不轨企图、垂涎美色，引致四名女生由于失忆而引发出一 连串的喜剧故事。当中不少部份描写到四个女生的深厚情谊，即使面对患 难时亦以友情为重，四名女生不互相妒忌，只一心为了对方安全著想，当 其中一个女生被人掳走的时候，几名女生即使因事而有所不满，亦以救回 闺密为重，团结一致对付眼前的困难，展现出惊人的勇气。最后，当成功 救回闺密后，主角们都知道一切的误解和心结，在亲密的朋友之前都可付 作笑谈。故事虽然是喜剧，裡面的情感却贴近生活，展露闺密间的无私奉 献。
李珊
回复 :一點一滴失去的記憶，像是一場與自己道別的漫長之旅。周時青是個充滿自信和堅持理想的資深廣播人，但是她最近經常忘記事情，甚至會完全想不起來發生過什麼事，當她仍處在混亂狀態時，多年未見的老公劉光軒也突然跑回來，三人互動生疏緊繃。時青發現原來自己跟母親一樣罹患阿茲海默症，一邊困惑找光軒回家的用意，也煩惱著女兒紀媛的問題，更加無法開口說出生病的事。隨著時青遺忘的頻率增加，出現許多混亂的行為，影響了工作和生活。因為母親驟逝，受到打擊的時青，從自己斷斷續續的記憶中，拼湊出找大家回來的真正目的。同時，光軒和紀媛也察覺時青生病的事實。時青要如何面對逐漸忘記的記憶，並且與熱愛的工作和家人道別呢？
许景淳
回复 :身为警察的男主人公追踪欠下巨债后去向不明的侄子和其未婚ccc。整个故事映射了因信用卡透支、分期付款等问题所衍生出的现代信用社会的问题。
戴佩妮
回复 :The subject of Danièle Huillet and Jean-Marie Straub’s Der Tod des Empedokles (The Death of Empedocles, 1987) is the Greek pre-Socratic philosopher Empedocles (c. 490 BC – 430 BC), who lived in the Greek colony of Agrigentum in Sicily. His theories are mentioned in several of Plato’s dialogues. He maintained that all matter is made up of four irreducible elements: water, earth, air and fire. A mystic and a poet, he is considered to be the founder of classical rhetoric. He is also thought to be the last Greek philosopher to write in verse; two fragments of his works survive: Katharmoi (Purifications) and Peri Phuseôs (On Nature). An advocate of democracy, he came into conflict with his fellow citizens of Agrigentum and, as result, was banished with his young disciple, Pausanius. When he was asked to return, he preferred to commit suicide by throwing himself into the active volcano at Mount Aetna.The German writer Friedrich Hölderlin wrote two versions of Der Tod des Empedokles in 1798 and 1800, and a final third version in 1820, all three ultimately unfinished. They were conceived as five-act tragedies and all three differ in plot. According to Michael Hamburger, Hölderlin’s English-language translator,the main reason why Hölderlin finished no version of the play must be that he remained too closely identified with Empedocles, at the very period in his life when his own view of the poet as philosopher, prophet and priest – and as tragic hero – was subject to perpetual crisis and re-examination.Huillet-Straub’s The Death of Empedocles is based on Hölderlin’s first version (the longest of the three), whereas Black Sin is based on the third version.
