剧情简介
以采访梦境的形式串联在韩打工的外乡人的群像，复仇通过他们身在异乡为异客，复仇异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外
复仇
以采访梦境的形式串联在韩打工的外乡人的群像，复仇通过他们身在异乡为异客，复仇异乡犹有故国梦的的讲述和大量生活环境的空镜展现他们不一样的乡愁和孤独，他们来自世界各地，又散落韩国各地，他们各自有梦，生活在不一样的风景之内或之外
陈百祥
回复 :本片根据美国历史上著名雌雄大盗邦妮•派克和克莱德•巴罗的真实经历拍摄。1930年大萧条中，邦妮•派克（費•唐娜薇 Faye Dunaway 饰）在得克萨斯州达拉斯市西小镇的母亲家中看到克莱德•巴罗（沃伦•比蒂 Warren Beatty）正在偷自己母亲的汽车。克莱德对 邦妮一见钟情，向她炫耀自己曾因持械抢劫入狱，并当着她的面抢劫了镇上的小超市。二人从此结伴浪迹天涯，以打劫为生，转战德克萨斯、路易斯安那、密西西比和奥克拉荷马州，并拉上了负责修车的莫斯（迈克尔•波拉德 Michael J. Pollard 饰）和克莱德的哥哥巴克•巴罗（吉恩•哈克曼 Gene Hackman 饰）及其妻布兰奇（埃斯特尔•帕森斯 Estelle Parsons 饰）结成巴罗帮，名噪一时。本片获1968年奥斯卡最佳男主角、女主角、男配角，最佳服装设计、最佳导演、最佳影片和最佳剧本八项提名，并获奥斯卡最佳女配角奖（埃斯特尔•帕森斯）和最佳摄影奖。
张殿菲
回复 :魏国与北方蛮族柔然连年交战，老单于心存退意，但是其子冒顿（胡军 饰）生性暴戾，意图吞并中原。为御外敌，魏国征召壮丁入伍，为国效忠。考虑到父亲花弧年迈病重，其女花木兰（赵薇 饰）毅然决定女扮男装、替父从军。在军中，木兰因有昔日玩伴小虎（房祖名 饰）做掩护，尚未露出破绽。一次偶然的机会，副营长文泰（陈坤 饰）发现了木兰的秘密，但见她为人正直功夫了得，所以替她隐瞒身份。后来，文泰与木兰并肩作战，屡破柔然大军，立下战功，均获封将军。不过，文泰发现木兰在战场上感情用事极为冲动，遂借故诈死，逼其独当一面。此时，屡战屡败的柔然部落已萌生退意，但冒顿一意孤行，不但剿杀异己，甚至手刃其父，自立为单于，发誓要扫平中原。门独面对的最大对手就是木兰领衔的魏国守军，一场惊心动魄的生死大战由此展开……本片有俄罗斯歌手维塔斯、韩国歌手李玖哲加盟，片尾曲分由孙燕姿与张靓颖演唱。
吴雁泽
回复 :Kato is an aspiring screenwriter treading water. He spends his days pitching stories to offbeat agents and executives who are anything but impressed. Not that he has run out of ideas, they just don’t seem to go anywhere. Unlike his relationship with his girlfriend Zigzag – that one is going down the drain. Little does Kato – or anyone – know that life is about to take some seriously weird turns.While out to buy the special brand of food for his girlfriend’s dog Cerberus, Kato discovers an abandoned convenience store that transforms his trajectory. A stumble into a refrigerator catapults him into a realm of fantastical inspiration boosted by an eccentric couple he meets along the way. Might this be the key to getting his mojo back?Miki Satoshi (Adrift in Tokyo, What to Do with the Dead Kaiju?) returns with a surreal and quirky indie film that manages to be both charming and deeply philosophical. Teaming up with Japanese cinema expert and notable critic for The Japan Times Mark Schilling (Art, Cult and Commerce: Japanese Cinema Since 2000), Convenience Story takes you on an eccentric Dantean ride brimming with psychological tension and the zest of karma. From the purgatory of writer’s block, to a hell of an adventure, Kato’s journey is a satisfying and thoughtful tale.源自：https://iffr.com/en/iffr/2023/films/convenience-story
