剧情简介
影片讲述艾蜜莉跟朋友在一个废弃的空地底下，夺命发现了一个可以不断复制出金币的宝箱，引来了杀身之祸的故事。
夺命屋
影片讲述艾蜜莉跟朋友在一个废弃的空地底下，夺命发现了一个可以不断复制出金币的宝箱，引来了杀身之祸的故事。
金景浩
回复 :热衷于观察星空的日本青年弓削大辅（山田孝之 饰），在夏威夷盘桓期间干着兼职导游的工作。利用工作之便，这个花花心肠的男子恣意游走花丛，乐在其中。某天，他在一家餐厅邂逅了美丽女孩藤岛瑠依（长泽雅美 饰）。瑠依专注的样子令大辅分外痴迷，当再次见面时他鼓起勇气上前搭讪。对于这位情场老手来说，一切进展得顺风顺水。可是次日见面时，瑠依却对大辅冷眼相对。原来，这个女孩十年前曾遭遇一场车祸，导致她无法保有当下的记忆，永远活在车祸前的那一天。固执而不认输的大辅对女孩展开了执着的追求，他百折不挠，屡败屡战。他不希望只是拥有当下的激情，而是希望可以和心中的爱人走到永远……本片翻拍自美国同名影片。
回复 :A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
回复 :The story of La Maison revolves around 27-year-old Emma, a French woman who heads off to live in Berlin and decides to spend some time in a brothel so as to learn about and understand sex workers – women who are paid to be women and that alone, and who are set to form the focus of her new novel. In gonzo journalism style, Emma becomes one of them and ultimately remains with them for two years, despite only intending to stay for several weeks. Was writing her book simply a pretext for Emma to live out the type of fantasy that’s hard to admit to in our society? From one bedchamber to another and from one woman to the next, the film guides us through a “forbidden” world.
