宁静的原始森林，日韩熊妈妈正带着自己的孩子约克寻找蜂蜜。正当母子享受这顿美餐时，日韩灾难不期而至。熊妈妈被一块巨石砸死，约克伤心备至，不得已踏上了独自生存的艰险之路。它路遇被猎人伤害的成年灰熊，灰熊一心报复伤害它的人类，对待约克分外冷淡。但随着一段时间的相处，它和约克慢慢成为了好朋友。它们一路遭到猎人的追踪，也遇到了各种各样的险情，在这个危机重重的原始丛林中寻找属于自己的一片天地……本片根据1885年发生在美国洛基山脉中人与熊之间的真实故事改编，并荣获1989年法国凯撒奖最佳导演奖、1990年Genesis奖最佳外语片奖、1990年年德国艺术院电影公会公会电影奖银奖最佳外语片、1988年法国电影学院奖。
回复 :寂静之夜，某大厦。一部电梯突然出现故障，四个彼此互不相识的人被困在其中。他们是闯空门的小偷安井三郎（内野聖陽 饰）、号称拥有超能力却倍感孤独的中年大叔牧原静夫（モト冬樹 饰）、一身巴洛克装扮企图寻死的阴冷少女爱敬薰（佐津川愛美 饰）以及背着怀孕妻子搞外遇的上班族小川顺（斎藤工 饰）。一阵紧张慌乱过后，这四个落难者相继讲述了自己的故事和遭遇。时间缓慢流逝，有的人似乎感觉到个中的蹊跷。无法预料的事情接二连三地发生，左右着他们的命运……本片根据木下半太的同名原著改编，为堀部圭亮的导演处女作。
回复 :奥兰多和萨乌，两名个性迥异的男孩，偶然产生交集。奥兰多充满自信，完全不因身为HIV阳性而自暴自弃；萨乌毫无自信，而且对性一知半解。他们的相遇影响彼此看待人生的方式，性也能是无拘无束的美好接触，而非掠夺侵占的予取予求。
回复 :The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.