在墓地中，视频芭芭拉（Patricia Tallman 饰）和哥哥强尼（比尔·莫斯利 Bill Moseley 饰）受到了丧尸的袭击，视频没过多久，受伤的强尼受到感染加入了丧尸的队伍。求生的欲望引领着芭芭拉来到了一处民宅，在那里，她遇见了同样在躲避丧尸的本（托尼·托德 Tony Todd 饰）。躲在屋子里的并非只有本和芭芭拉两人，在地下室里，汤姆（Bill Butler 饰）与女友朱迪（凯蒂·芬内朗 Katie Finneran 饰），哈里（Tom Towles 饰）和海伦（McKee Anderson 饰）夫妇逐个现身。 除了数量上的差异，体能和抗击打能力方面的巨大差距让屋内众人的存活几率降到了最低。屋外是狂暴嗜血的丧尸，屋内是手持刀枪的人类，一场血腥的战争即将拉开序幕。
亚瑟小子
回复 :20世纪90年代中期，一个北方名叫嘉城的小城里，从外地搬来的宁檬，转学进入了嘉城一中的文科尖子班。作为新来的班花，宁檬很快就成为了众人眼中的焦点。对此，班里的男生们欢呼雀跃，而女生们却大多表现得颇有微词，于是一场令人啼笑皆非，而又略带青涩的高中校园“宫斗”大戏，就此稀里糊涂的开演了！正是那个青春叛逆的芳华，正是那个情窦初开的季节，正是那个对一些似懂非懂的年纪……大方倩丽的宁檬，阳光帅气的孙雷，活泼可爱的安芯，淘气捣蛋的马超，工于心计的徐丽丽，痞气十足的社会青年乔飞龙……或许在这些鲜活的角色中，就会有你、有我，也有他或她当年的影子！
秦伟
回复 :《梦断影都》是一个黑色喜剧，故事讲述了1969年，24岁的学生Ike Vikar Jerome来到好莱坞，梦想进入电影圈，当时主流电影公司已经没落，独立电影正蓬勃新生。Jerome在自己的光头上纹有《郎心如铁》（A Place in the Sun）中蒙哥马利·克利夫特（Montgomery Clift）和伊丽莎白·泰勒（Elizabeth Taylor）图案的刺青，这让他立刻引起了周围人的注意。从做设计师开始，Jerome逐渐成为一名成功的电影剪辑师，但最终，这场繁华的好莱坞之梦还是以悲剧收场。
晏菲
回复 :SynopsisDo-seong (Yoo Min) is a child monk who lives at a small mountain temple with the head monk (Byeon Ki-jong), learning the teachings of Buddha. He becomes attached to a young widow (Choi Eun-hee) who comes to pray at the temple, and the childless widow entreats the head monk to let her raise Do-seong as her own son. Conflict ensues when Do-seong's real mother (Kim Seon-young) appears, but she leaves the temple for the sake of her son's future. On the day the widow is to take the child down from the mountain, the head monk discovers that Do-seong has killed a bird by ensnaringit in a trap and decides not to let the boy go into the secular world. When Do-seong finds out that his real mother has been to the temple, he sets out to find her.Notes"A film that has garnered recognition for its cinematography and direction by eliminating sentimentality and unaffectedly capturing the quiet life of a mountain temple. A Hometown in Heart demonstrates the camera technique and directorial skill of movies that appeared after the liberation of Korea."A Hometown in Heart, adapted from playwright Ham Se-deok's A Little Monk (Dong-seung), was hailed upon its release as "a masterpiece that marked a new pinnacle in Korean moviemaking after the liberation." Eschewing new-school sentimentality to quietly express a boy's longing for maternal love, the film unfolds the everyday lives of three generationsthe head monk, a young monk, and a little child monkagainst the backdrop of a quiet temple in the mountains. The long shots utilized by director of cinematography Han Hyung-mo to capture the beautiful scenery of the mountain temple from a distance received great critical acclaim at the time. Also, each of the film's characters is convincingly portrayed through the skillful direction of Yoon Yong-kyu. In particular, the scene which expresses Do-seong's desperate yearning for a mother's love and his birth mother's past visit to the temple by combining them into a dream sequence reveals deep consideration for articulating story and emotion via a compressed visual grammar without tending toward sentimentalism. The movie's final scene, in which Do-seong awakens from his dream and sets off down the path in search of his mother, is both touching and beautiful. The film also features Choi Eun-hee, in the part of the young widow who warmly embraces Do-seong with her love, in one of her first roles.Afterword:- Lee Kang-su, writing under the pseudonym of Kwak Il-byeong, first adapted playwright Ham Se-deok's A Little Monk (Dong-seung) into a screenplay, which was then shot for the silver screen with additional embellishments by the director.
