蜜桃（黄美棋 饰）是一个早熟的八岁小姑娘，约瑟某日，约瑟她和好友外出拜神树，蜜桃许愿希望能够长大成人，没想到愿望真的成了真，蜜桃（钟真 饰）果真成为了亭亭玉立的十八岁少女。在游泳池边，蜜桃邂逅了名为丹尼（王书麒 饰）的男子，丹尼的英俊帅气很快吸引了蜜桃的注意。 虽然表面上成熟美丽，但蜜桃的内里毕竟只是一个八岁的单纯女孩，不知实情的丹尼对什么也不懂的蜜桃很是失望。蜜桃二姐的前男友在无意之中得知了蜜桃的秘密，他和丹尼的前女友（方璇 饰）一拍即合，两人设计让蜜桃误以为丹尼已经离她而去，伤心的蜜桃找到神树，乞求它将自己重新变回没有烦恼的小女孩。
陈明
回复 :1980年代，江南某农村。谷家湾生产队副队长谷正茂（陈述饰）和女儿小兰（陈鸿梅 饰）整日醉心科学种田，小兰妈（李玲君 饰）却为女儿的婚事暗暗着急。一天，小兰妈无意结识邻村也为儿子刘纯（朱顺良 饰）婚事发愁的祝二婶（高淬 饰），俩人相见恨晚，并商定择日让儿女相亲。相亲当日阴差阳错，小兰埋怨母亲不该骗她来相亲，刘纯则借机跟谷正茂来到谷家。祝二婶见儿子逃脱，便将堂侄祝兴（毛永明 饰）拉来冒充，小兰见假刘纯一表人才，颇为中意，不料却遭双方儿女的反对。同是种田迷的刘纯与小兰在劳动中产生感情，金秋时节，两人共同培育的新稻种获得丰收......
王麟
回复 :影片讲述保安迭戈·马丁内斯头天上班，在地区医院停尸房内的一个晚上，经历了人生中最可怕的夜晚。
范逸臣
回复 :This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing.Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity.One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.
