李溪成（任嘉伦饰）原入队前曾是救火英雄，神谕带着光环入队，神谕但却深受无情现实打击。为将这一批新入队的队员磨练成真正“特勤精英”，中队副队长叶启恒特制训练计划，磨练李溪成们的心性与意志。在历经仓库失火，化工泄露、重大车祸与连环爆炸等生死考验后，李溪成内心真正感受到作为一名消防特勤队员，面对的不只危机四伏的险情，在和对102事故念念不忘的火查员温亦冰等队友伙伴的砥砺成长中，在面对过去的生死情、战友情，李溪成看到了这支队伍的高贵灵魂。最终，李溪成找到了自己为之终身奋斗的事业，在消队一线，成为一个真正的逆行英雄，赴汤蹈火，皆为忠诚。
张海
回复 :法国1991年有”法国电影新浪潮祖母“之称的艾格尼丝.瓦达(《拾穗者与我》)执导的人物记录片，是对其丈夫、法国著名导演雅克德米(《秋水伊人》《柳眉花娇》)的一次生平记录。雅克德米在30年代末还是个小孩，他的父亲拥有一个汽车库，他的母亲则是一位理发师，有着的家庭生活。他喜欢唱歌并且爱看电影，对所有类型的演出形式都着迷，他买了一架照像机拍摄他的第一个业余影片。这部影片通过他最亲密的人的角度，对雅克德米童年和职业生涯进行了一次全方位审视。
陈奂仁
回复 :
陈星
回复 :Hollywood-style time travel tales like to focus their attention on cultural fads and fashions: clothes, music, slang, daily technologies. The ingeniously low-budget Irish sci-fi film LOLA has fun with all of that, but also investigates darker, more global questions like: what if Germany had won World War II?Pieced together in dazzling 16mm as an imaginary collage of interlocking audio-visual documents from the 1940s, Andrew Legge, directing his debut feature, conjures the lives of two gifted and lively sisters, Thomasina and Martha. Left to their own devices as children, the pair has managed to create a machine that receives media broadcasts from the future. In their personal, cloistered, punk paradise, they embrace the rebellious styles of an age to come – The Kinks, David Bowie – but also discover, when military personnel move in, that history is a dangerous game to toy with. The ultimate question becomes: if mass media can change the world, can cinema miraculously restore it?Just like the monument to bricolage created by its characters, LOLA is an inspired conceit in the style of Guy Maddin, Woody Allen’s Zelig (1983) and Peter Jackson’s Forgotten Silver (1996). It’s a surreal romp through scratches, glitches and speculative possibilities.
