第35集《寅次郎恋爱补习班》(Tora San the go-between)导演：欧美山田洋次原著：欧美山田洋次剧本：山田洋次、朝间义隆主演：渥美清、倍赏千惠子、樋口可南子制作：松竹影业出版日期：1985年8月3日片长：108分钟票房：137万人剧情在长崎旅行中，阿寅见一位年迈的老太太不小心摔倒了，就和同伴上去帮助，当晚他们住在老人家里，和老人开怀畅饮，载歌载舞，小屋里传来少有的欢笑声。谁知道，老人就这样走了。当家人赶来奔丧时，阿寅认识了老人的孙女，她的母亲当年被人欺骗后生下她这个私生子，因不被世人所容而自杀。背着沉重的包袱在别人的白眼下长大的她非常珍惜得到阿寅的帮助，庆幸在老人的最后时刻阿寅给她带来了快乐。她刚刚从印刷公司被辞退，阿寅热情帮助，阿博受哥哥之托不敢懈怠，很快为她找到了工作。阿寅看出住在她楼下攻读法律的小伙子在暗恋她，就想办法为他们牵线搭桥，使失去亲人的她感受到家的温暖。
吴听彻
回复 :帕蒂恩斯（哈莉•贝瑞 Halle Berry 饰）原本过着平凡满足的日子，她在一家化妆品公司担任美术设计师，是众人眼中潇洒的未婚白领。然而，在这座充满罪恶的城市，厄运正慢慢向帕蒂恩斯袭来。一次偶然，帕蒂恩斯发现了公司的老板乔治（兰伯特•威尔逊 Lambert Wilson 饰）和他的妻子劳雷尔（莎朗•斯通 Sharon Stone 饰）从事的罪恶勾当，随后劳雷尔派出杀手将帕蒂恩斯杀人灭口了。这时，奇迹发生了，帕蒂恩斯曾经救过的一直埃及猫出现了在她眼前，原来这只猫竟然是猫神！猫神为了报答帕蒂恩斯，用魔法将她复活了。帕蒂恩斯复活后发现自己的身体有了巨大的变化，她获得了一股神秘的力量，不仅动作敏捷、触觉灵敏，她还变得身怀绝技。于是，帕蒂恩斯化身为猫女，向这个城市的罪恶宣战。
莉莉金
回复 :今次寅次郎自告奋勇做媒人，尝试撮合戇直少年良介与纯情小姑娘幸子。“恋爱经验”丰富的寅次郎，以过来人身份指点良介，大献「追女」妙计，可惜他的办法老土到极，良介多次碰钉，最后失恋而回，在寅屋楼上企图自杀，引火自焚…… 大难不死的良介失意地返回老家长崎，谁知此时寅次郎又出现了，还邂逅了良介的失婚姊姊藤子，令寅次郎再次情迷意乱……
丁香晓晓
回复 :A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.- JohnHowardReid, imdb
