大演習に向かう途中、杰里自衛隊の一個小隊21名が、杰里戦車、ヘリコプター、装甲車、哨戒艇もろとも400年前の戦国時代にタイム・スリップ。2万人の武田信玄軍対近代兵器の凄絶な戦いが展開される。半村良原作による大掛かりなSF大作で、2005年にも新たな角度よりリメイクされた。
大演習に向かう途中、杰里自衛隊の一個小隊21名が、杰里戦車、ヘリコプター、装甲車、哨戒艇もろとも400年前の戦国時代にタイム・スリップ。2万人の武田信玄軍対近代兵器の凄絶な戦いが展開される。半村良原作による大掛かりなSF大作で、2005年にも新たな角度よりリメイクされた。
回复 :What could the fate of the Villa Empain, Baron Empain’s crazy project in Brussels, which has gone through a long and eventful journey since its completion in 1934, possibly inspire? Katharina Kastner’s challenge was to draw the portrait of the place, keeping in mind the work of time, like in a human existence. Shot in 16mm, her film appeals to the senses, it captures the stirring of leaves undulating in the garden light, the movement of iridescent pearls, or the colourful games of a piece by Daniel Buren. Without a word, but with a caressing camera, she pays close attention to the hidden patterns on the gorgeous marbles, or to the veins in the most precious types of wood used to decorate the rooms. In slight touches, regardless of the monumental aspect of the 27.000 square-feet villa and the pool that so impressed its first visitors, Katharina Kastner o ers an organic vision of the place, which has been marked by the trials and tribulations of life, and used successively as a museum, an embassy and a squat, until its final renovation. The clever editing makes furtive connections, underlines colour associations, mixes up times and tactile sensations, while the spaces we explore keep rustling. The film takes us on a reminiscing journey, with slices of Empain’s life, from the family archive here on a holiday, there playing on the beach, images from a distant past that keep haunting the premises. The film reveals to us this living space that was designed like a piece of art, but it does so in a wandering way. This dream vision guides us through the villa like an echo of foregone fantasies, a mental space, but also a welcoming backdrop for the work of time. A bit like the fingerprint work we see in the film, or the slight touch of a pencil on a blank sheet.
回复 :位于某海滨的高级酒店,迎来了小有名气作家清水健二(西岛秀俊 饰)和他的妻子(小山田小百合 饰)。清水凭借处女作享誉文坛,然而第二部作品反响平平,而今更陷入创作瓶颈。与此同时,他与妻子貌合神离,彼此日渐疏远。在此期间,他偶然注意到一对有些惹眼且奇怪的男女。貌不惊人的中年男子佐原(北野武 饰)与清纯靓丽的年轻女孩美树(忽那汐里 饰)相伴,几多暧昧,几多情欲,令人不免想入非非。出于好奇,清水尝试接近对方,他发现佐原许多年来一直都在拍摄美树睡着后的样子,画面中充满了欣赏与迷恋。对方的秘密令清水深陷其中……本片根据西班牙著名作家哈维尔·马里亚斯(Javier Marias)的同名短篇小说《While the Woman Are Sleeping》改编。
回复 :抗战年代,夜总会小丑董国民(钟镇涛 饰)不堪忍受日寇对上海的肆意轰炸,毅然告别叔父投军,出发之前,董国民在苏州桥下与一名女子一见钟情,他们约定胜利后再见……时间一晃十年,董国民回到上海,自此时常在苏州桥下徘徊,渴望再遇当年人,然而物是人非,此时的桥下只有几个落魄的老兵露宿。董国民楼下的舞小姐阿舒(张艾嘉 饰)收留了一名来沪女子邓仔(叶倩文 饰),并给她生活上的帮助,二人以姐妹相称。董国民与邓仔在天台邂逅,虽然邓仔并非董国民所误会的当年人,但仍对这位青年产生了好感。不久阿舒亦介入了这段关系,但为成全邓仔,阿舒选择了退出。不久董国民终于发现阿舒正是桥下的当年人,而此刻,阿舒却与别人踏上了南下的列车……本片为徐克电影工作室的开山之作。