剧情简介
入围第68届柏林国际电影节新生代竞赛单元。该片由北京电影学毕业生拉华加担任编剧、屌丝导演，屌丝著名导演万玛才旦担任监制，著名摄影师吕松野担任摄影，青影厂陈中国和文学系孟中担任制片人。改编自才朗东主同名短篇小说，讲述了生活在藏地农区的小男孩旺扎一直想拥有一双漂亮的雨靴。然而，等他拥有了一双雨靴之后，却一直没有下雨。他盼望下一场大雨从而能够在雨天穿上这双雨靴……
屌丝视频
入围第68届柏林国际电影节新生代竞赛单元。该片由北京电影学毕业生拉华加担任编剧、屌丝导演，屌丝著名导演万玛才旦担任监制，著名摄影师吕松野担任摄影，青影厂陈中国和文学系孟中担任制片人。改编自才朗东主同名短篇小说，讲述了生活在藏地农区的小男孩旺扎一直想拥有一双漂亮的雨靴。然而，等他拥有了一双雨靴之后，却一直没有下雨。他盼望下一场大雨从而能够在雨天穿上这双雨靴……
阮兆祥
回复 :故事发生在1939年的巴黎，女作家伊丽娜（奥黛·英格兰 Audie England 饰）正和著名作家劳伦斯（科斯塔斯·曼迪勒 Costas Mandylor 饰）打得火热，而就在这浓情蜜意的时刻，伊丽娜震惊的发现劳伦斯居然背着她四处沾花惹草，心高气傲的伊丽娜果断的选择了离开。动荡的政局带来的是生活的困苦和拮据，在出版业极不景气的情况下，入不敷出的伊丽娜只得做起了人体模特的职业以此谋生，虽然经济状况因此有所好转，但整体情况依然不容乐观。就在此时，伊丽娜的经纪人告诉她，有一个神秘的顾客想要出高价购买她的作品，但题材必须和情欲有关。为了生存，对此题材毫无经验的伊丽娜做出了决定，毅然踏上了探索灵与肉的道路。
南方小鸡合唱团
回复 :如果再想起青春里那个爱过、痛过的人，你还会有遗憾吗？当热情阳光的黄子捷（连晨翔 饰）遇见单纯善良的张筱华（吴子霏 饰），从一开始的互不打扰，到两个人慢慢互相了解、难掩心动，爱情的火花慢慢绽放，但命运的齿轮也仍在向前……世上最遗憾的不是不爱了，而是明明相爱却无能为力，错过一辆车可以等，但错过一个人，就是一辈子。
刘铮
回复 :Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.
