宗方实良（绿川光 配音）是白樱学院高中一年级的学生，春暖他有一个不为人知的秘密，春暖他的恋人是自己的爸爸宗方镜介（三木真一郎 配音），而宗方镜介是目前演艺界最聚人气的超级明星。实良和镜介的恋情并不被周围人所看好，实良的发小日野一树（千叶进步 配音）就对身边这个天然呆的朋友怀有特殊的感情，因此，对待有些腹黑的镜介格外警戒。与此同时，实良有些懦弱的性格也让他在这场特殊的恋爱中显得患得患失，镜介周围围绕着的诸多美人让老实的实良感到压力很大，而突然出现的母亲宇都宫美月（胜生真沙子 配音）更令实良感到不知所措。自己和镜介究竟是什么关系？这段困难重重的爱情能够修成正果吗？有笑有泪的生活在实良和镜介之间继续着。
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
回复 :硅谷是世界上科技与经济发电场，提供成功的秘密更是透过独特的元素融合，是无法被其他抄袭的成就。
回复 :我们的歌第2季是由东方卫视打造的国内首档代际潮音竞演综艺节目启用全新节目模式。让榜样歌手与新声歌手联手同台竞演，推动华语乐坛跨越代际、走向新生，实现华语音乐的传承与创新。节目通过两代艺人的合作，旨在重塑华语乐坛金曲价值，而榜样艺人的音乐精神也将助力新声艺人灵感迸发，催生出更多现象级歌曲，让华语音乐和华语歌手保持青春感，唱出青春样 。
