《无人生还》是阿加莎·克里斯蒂最著名的作品之一，继承在多种排名中均居榜首。八个互不相识的人，继承被富有的欧文先生邀请到了印第安岛上的私人别墅里，接待他们的只是管家特夫妇俩。晚餐后，一个神秘的声音揭开了人们心中所各自隐藏着的可怕秘密：指控这十人都曾犯有谋杀罪。当天晚上，年轻的马斯顿先生离奇死去，古老的童谣就像诅咒一样笼罩着所有人，似乎有一双神秘的眼睛在时刻窥视着这场死亡游戏。到访者就像餐桌上十个印地安小瓷人般一个又一个的走向死神……海上起了大风浪，不可能寻得救援或者逃出生天。唯一的求生办法就是找出凶手。他们搜遍荒岛不得终，最后指出凶手就在他们中间。幸存着的人们彼此怀疑，彼此试探，可是一切还是没有能阻止死亡的到来……风浪停息了，岛上的明争暗斗也停息了，只留下了十具尸体，无人生还。究竟谁才是凶手？
回复 :曾以《打尸噎》、《防腐搞作》引起热议的匈牙利名导乔治帕尔菲新作，改编自波兰科幻小说作家史坦尼斯劳莱姆的同名作品。以铁幕历史为背景，讲述了冷战时期的军武竞争。一名匈牙利男子偶然看到一套纪录片，从中见到抛家弃子消失多年父亲的身影。带着旧照片和影像，他远赴美国寻找父亲。本该温馨的团圆，却越来越不对劲。意外挖掘出攸关历史的军事阴谋，甚至还牵扯出美国航太军方不可告人的外星研究，冷战阴影原来仍笼罩着普通人民的生活。导演尤其擅长疯狂元素，这次更加入科幻情节，道出人性与亲情的追寻和执着。
约翰塞巴斯蒂安巴赫
回复 :In-depth examination of the dark side of an American justice system where women who report sexual assault are instead charged with perjury and jailed for it.Investigative journalist Rae de Leon has discovered a startling pattern in rape cases in the United States. Namely, that women who have reported a sexual assault are suspected of lying by the police. First they are accused of making up their allegations, later they are prosecuted for giving false testimony and sometimes they end up serving prison sentences. ‘Victim/Suspect’ shows how the roles are reversed so the perpetrators are declared innocent while the victims sometimes end up behind bars and other times end their lives. Rae de Leon gets first-hand accounts from the women and interviews legal experts as she delves into police methods, interrogation techniques and preliminary investigations, and the outcome reveals a corrupt system. Nancy Schwartzman charts a law enforcement agency that confuses victims and suspects and is relevant far beyond America’s borders. It is a powerful testimony to systemic failure, police handling of cases and a determined journalist’s attempt to change it.
岸谷五朗
回复 :本片是1985年的影片《搭车人》的续集，还是过去的男主角托马斯豪威尔，上次的搭车的恐怖事件已经过去10多年，可男主角还生活在那次事件的阴影里……
