剧情简介
马蒂厄已经35岁，麻生却从未见过自己的父亲。母亲解释缘由时只推托说他是一夜情的结果。一天，麻生他接到一个陌生来电，这个电话告诉他，他的亲生父亲刚刚过世。于是马蒂厄暂别妻子和孩子，决定飞去加拿大参加葬礼，并见见他那两个素未谋面的兄弟。在蒙特利尔，除了父亲的好友皮埃尔，没人知道他的存在与真实身份。但与此同时，马蒂厄也意识到他似乎进入了一个充满敌意的地方。
麻生希电影在线手机
马蒂厄已经35岁，麻生却从未见过自己的父亲。母亲解释缘由时只推托说他是一夜情的结果。一天，麻生他接到一个陌生来电，这个电话告诉他，他的亲生父亲刚刚过世。于是马蒂厄暂别妻子和孩子，决定飞去加拿大参加葬礼，并见见他那两个素未谋面的兄弟。在蒙特利尔，除了父亲的好友皮埃尔，没人知道他的存在与真实身份。但与此同时，马蒂厄也意识到他似乎进入了一个充满敌意的地方。
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
蔡枫华
回复 :法国/意大利1967年让.吕克-戈达尔、克劳德.欧唐-劳拉(《狂爱情挑》)、莫洛.鲍罗尼尼、菲利浦.德-布洛卡(《杀手闹翻天》)等六位导演合导的六部短片，讲述了女性成长阶段的6个不同时期的故事，弗兰西丝.布兰切等6位当时的欧洲女星主演。这是一个从原始时代到未来时代的演变过程，有天真浪漫的沙滩少女、雍容华贵的古罗马艳后、泼辣机智的风尘女子...剧中的每个女人都有其独特的美，走进女人世界，让你更了解女人。
林志美
回复 :周建（王学兵）和夏蓓（刘婕）在繁琐的婚前准备过程中，与五段不同年龄段人的爱情故事迎面，在这些故事里，他们瞥见自己的过去、现在以及可能的未来。《声音》一段，他们见到的是少年人朦胧美好的初恋风情；《照片》一段，他们感受到的是青年人热恋的轰烈；《玩具》一段，年轻夫妇婚后平凡、平淡的生活与幻想世界的差距被他们尽收眼底；《十三香》一段，入他们眼的，是人到中年再次面对爱情考验时走上离婚之路的无奈和坚决；《麻将》一段，他们所见，则是步入人生黄昏之境的老年人沐浴夕阳之恋的温馨。
