剧情简介
一个十八岁的少女阿雪，亚洲因家境贫困，亚洲被卖予刘姓老头为妻。刘老头个性变态，阿雪每天白天做家务，晚上还得承受刘老头的种种性虐待。某日，阿雪偶偶逃犯华仔，两人一见钟情，开始交往……
亚洲偷自78区
一个十八岁的少女阿雪，亚洲因家境贫困，亚洲被卖予刘姓老头为妻。刘老头个性变态，阿雪每天白天做家务，晚上还得承受刘老头的种种性虐待。某日，阿雪偶偶逃犯华仔，两人一见钟情，开始交往……
回复 :一所重点高中专门安置关系户的班级招来了两所中学的一群不良少男少女，他们在各自头目的带领下，嚣张跋扈，彼此PK，为争班级老大成天混战，以捉弄老师为乐。突然有一天，这群不良少男少女破天荒地决定联手，宣称要拿下期末考试年级前十和文明班级流动奖杯。这一切的变化都是因为他们收到了一封未来的自己寄来的信。信中除了历数他们在毕业班里将要发生的事件，还希望他们善待他们的班主任，一位正直善良的数学老师。信中的预言一一言中，在老师的因势利导下，不良少男少女真的走上了迈向未来的正确发展之路。故事在学生和老师之间冲突和情感的跌宕起伏中突显影片的主题：积极向上其实植根在每个人的心里，真诚和坚持是唤醒成长的一把钥匙。
董运昌
回复 :Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.
回复 : 影片描绘了南迪（Karen Lancaume饰）和马纽（Raffaëla Anderson饰）这两个感到被边缘化而用暴力报复社会的年轻女性的故事。南迪是一名妓女。马纽是一个可以做任何工作，甚至包括出演色情电影，在一个法国南部小镇混日子的女孩。 马纽和她的一个深陷毒瘾的女性朋友被三个男人强奸。尽管她的朋友尖叫、挣扎，马纽却显得淡然，这激怒了正在强奸她的人。之后，马纽回到了她兄弟的房子里，且没有告诉他发生了什么，直到他发现了马纽脖子上的瘀伤。马纽的兄弟愤怒地问她被什么人强奸了，但马纽没有告诉他。他称她为荡妇并暗示她事实上在享受被强奸。在争执中，马纽举起了他掉下的枪并射中了他的头。 同一天，南迪回到家里与同她合租的女子发生了争执并掐死了她，之后，他去另一个镇上见他最好的朋友，毒贩弗朗西斯，但很快他就被射杀了，随身还带着南迪为他伪造的可以合法获得毒品的处方。
