村下孝藏
发表于8分钟前回复 :艾格曼(甘纳尔·布耶恩施特兰德 Gunnar Björnstrand 饰)是一位事业有成的律师,这一天,他带着妻子安妮(厄拉·亚科布松 Ulla Jacobsson 饰)去看一场演出,意外的遇见了自己曾经的恋人黛西瑞(伊娃·达尔贝克 Eva Dahlbeck 饰),艾格曼私下里找到了黛西瑞,想要叙叙旧,可是如今的黛西瑞已经是伯爵马尔科姆(凯尔·库勒 Jarl Kulle 饰)的人了,艾格曼的突然出现并没有令她感到有丝毫的高兴。艾格曼的儿子亨瑞克(比杨·比杰弗文斯塔姆 Björn Bjelfvenstam 饰)是一个发誓要潜心研究神学的男人,但家里的女佣却总是对他抛媚眼,打扰他的钻研,与此同时,他亦发现自己的目光总是若有若无的被年轻的继母安妮所吸引。
戊道子
发表于6分钟前回复 :This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.comments from imdb:This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.15 out of 10 and then some. 10/10Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".Intelligent, emotional, tragic and real, this is an absolute gem. 9/10