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你想象过和前任久别重逢的场景吗？你会抱紧，亚洲还是逃离？从小生活在重男轻女环境中的女孩陈见夏（孙千 饰），亚洲在振华中学遇见了叛逆却善良的浑小子李燃（张新成 饰），他成为陈见夏生活里的唯一光亮。他们彼此救赎，却又遗憾分开。多年后，重逢的那刻才明白，以为是反复地爱上你，原来是，我一直没有停止过爱你。
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你想象过和前任久别重逢的场景吗？你会抱紧，亚洲还是逃离？从小生活在重男轻女环境中的女孩陈见夏（孙千 饰），亚洲在振华中学遇见了叛逆却善良的浑小子李燃（张新成 饰），他成为陈见夏生活里的唯一光亮。他们彼此救赎，却又遗憾分开。多年后，重逢的那刻才明白，以为是反复地爱上你，原来是，我一直没有停止过爱你。
回复 :《欢迎光临贝拉的奇幻花园》是一则可爱的现代童话，剧情围绕梦想成为童书作家的强迫症女孩、与个性古怪的园艺大师在伦敦相遇，为了创造一座奇幻花园而发展出一段动人的友情。电影由拍摄广告与摄影闻名的英国导演赛门艾布执导，让英式花园特有的花团锦簇与浪漫在大银幕上盛开。《欢迎光临贝拉的奇幻花园》由气质出众的英国女星杰西卡·布朗·芬德利（Jessica Brown Findlay）饰演每天生活按部就班、却有一堆眉角的怪女孩，英国金奖影帝汤姆威金森（Tom Wilkinson）则饰演个性机车的园艺大师。本片还找来了《新世纪福尔摩斯》（Sherlock）的大反派安德鲁史考特（Andrew Scott），饰演片中的暖男厨师，以及《战马》的帅哥杰瑞米尔文（Jeremy Irvine）扮演一位可爱的理工宅，集结几位英国实力派演员同台竞飙演技，精采可期！
回复 :Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.Roger Philip Mellor
回复 :奔波霸和哥哥霸波奔给白龙马下毒失败后，被孙悟空打出原形，其实，实际兄弟俩被抖落在皇帝的大殿上时，偷偷使用障眼法逃了出来，偷出月光宝盒穿错了地方来到了现代。两人面对现代都市的无所适从，各种窘态，意欲穿越回去时发现月光宝盒丢失！巧遇被孙悟空打成原形后一直修炼未成精的白骨精！三人夜晚出外觅食人血，偏偏遇上了走投无路的小萝莉，意欲自杀的小梦，奔波霸想戏弄别人却反遭殴打，却和小梦互相坦露心声！次日，月光宝盒露面，白骨精假意拉拢，怂恿二人去偷月光宝盒再次遇上小梦势单力薄难敌恶少，面对被有钱有势的恶少欺负的小梦，奔波霸一番感慨……恶少欺人太甚，愤怒的奔波霸妙招解困境……救了小梦，盗了宝盒，白骨精却原形毕露，笨妖怪大战妖王，爱意萌生却要生离死别……
