剧情简介
本季增加了明星助力官这一设置，真红之星明星助力官某种程度上将扮演“红娘”的角色，真红之星他们将坐镇第二现场，拥有“一键插话权”“圈粉时刻”等权利。在舞台区域的设置上，主持人张纯烨将和明星助力官一道，带着六位嘉宾稳坐第二现场，他们将通过大屏幕与主现场完成实时沟通。而此前坐在主舞台的单人嘉宾父母，在新一季节目中将“退居”幕后，来到第三现场，即亲家心选区。
真红之星
本季增加了明星助力官这一设置，真红之星明星助力官某种程度上将扮演“红娘”的角色，真红之星他们将坐镇第二现场，拥有“一键插话权”“圈粉时刻”等权利。在舞台区域的设置上，主持人张纯烨将和明星助力官一道，带着六位嘉宾稳坐第二现场，他们将通过大屏幕与主现场完成实时沟通。而此前坐在主舞台的单人嘉宾父母，在新一季节目中将“退居”幕后，来到第三现场，即亲家心选区。
回复 :山河破碎，他义无反顾投身战火，从一个进步青年成长为勇敢忠诚的地下革命工作者；国泰民安，他追忆往昔笔耕不辍，从一个革命实践者变身为妙笔生花的文学家，将峥嵘年代的传奇经历化作一篇篇跃然纸上的文学作品。马识途波澜壮阔的人生跨越了中国20世纪的历史，历经中国百年的大动荡、大转折、大发展，其所见所闻、所思所感，见证了中国由弱变强的非凡历程。马识途于1938年入党，截至2021年中国共产党成立100周年，马老有着长达83年的党龄。2022年年初，纪录片《百年巨匠——马识途》即将上线各大卫视，展现马老精彩的革命人生和深厚的文学造诣。
回复 :广播节目《电台挖宝战》为听众带来划算交易的独家信息。汽车、漫画、诡异小丑雕像等各类物品的收藏家们纷纷竖耳收听
回复 :"Bob Dylan going electric" at the 1965 Newport Folk Festival is one of those epochal moments in rock history that seemingly everyone has heard about, but what few people seem to know is that it wasn't some ephemeral event that we only know from word of mouth -- filmmaker Murray Lerner documented the performances at the Newport Festival for several years running, and The Other Side of the Mirror collects footage from the three years Dylan appeared at the celebrated folk gathering, allowing us to see Dylan's rise through the folk scene for ourselves. Watching Lerner's documentary, what's most remarkable is how much Dylan changed over the course of 36 months; the young folkie performing at the afternoon "workshop" at the side of Joan Baez in 1963 is at once nervy and hesitant, singing his wordy tunes while chopping away at his acoustic guitar and energizing the crowd without seeming to know just what he's doing. In 1964, Dylan all but owns Newport, and he clearly knows it; he's the talk of the Festival, with Baez and Johnny Cash singing his praises (and his songs), and his command of the stage is visibly stronger and more confident while his new material (including "Mr. Tambourine Man" and "It Ain't Me, Babe") sees him moving away from the "protest songs" that first made his name. When the audience demands an encore after Dylan's evening set (Odetta and Dave Van Ronk were scheduled to follow him), Peter Yarrow tries to keep the show moving along while Dylan beams at the crowd's adulation, like the rock star he was quickly becoming. By the time the 1965 Newport Festival rolled around, Dylan's epochal "Like a Rolling Stone" was starting to scale the singles charts, and the hardcore folk audience was clearly of two minds about his popular (and populist) success. When Dylan, Fender Stratocaster in hand, performs "Maggie's Farm" backed by Al Kooper, Mike Bloomfield and the rhythm section from the Paul Butterfield Blues Band, the raucous but hard-driving number inspires a curious mixture of enthusiastic cheering and equally emphatic booing, and while legend has it that the version of "Like a Rolling Stone" that followed was a shambles, the song cooks despite drummer Sam Lay's difficulty in finding the groove, though if anything the division of the crowd's loyalties is even stronger afterward. After these two numbers, Dylan and his band leave the stage, with Yarrow (once again serving as MC) citing technical problems (if Pete Seeger really pulled the power on Dylan, as legend has it, there's no sign of it here); Dylan returns to the stage with an acoustic six-string to sing "Mr. Tambourine Man" and "It's All Over Now, Baby Blue" before vanishing into the night without comment. While much of the audience at Newport in 1965 wanted the "old" Dylan back, his strong, willful performances even on the acoustic stuff makes it obvious that the scrappy semi-amateur we saw at the beginning of the movie was gone forever, and the ovations suggest more than a few people wanted to see Dylan rock. Lerner's film tells us a certain amount of what we already knows, but it gently debunks a few myths about Dylan during this pivotal moment in his career, and his performances are committed and forceful throughout; no matter how many times you've read about Dylan's Newport shoot-out of 1965, seeing it is a revelatory experience, and Lerner has assembled this archival material with intelligence and taste. This is must-see viewing for anyone interested in Dylan or the folk scene of the '60s.
