剧情简介
该片由拉斯·克莱夫博格执导，丁香讲述一个高中女生无意间发现了一台老式“拍立得”相机中隐藏的黑暗秘密：任何接触这台相机的人都会离奇死亡。
丁香 七月天
该片由拉斯·克莱夫博格执导，丁香讲述一个高中女生无意间发现了一台老式“拍立得”相机中隐藏的黑暗秘密：任何接触这台相机的人都会离奇死亡。
回复 :Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.
牛奶
回复 :熊本の青果市場で桃次郎と金造は、Ｃ調トラックを運転する電吉と知り合う。電吉のおごりでフグ料理を食べるが、桃次郎はフグ中毒にかかってしまう。この地方に伝わる解毒法といわれ、土の中に埋められた桃次郎の目の前に、女子大生の小早川雅子が現れる。一方、金造は築地の酒場の仲居和代の気をひこうとしているのを女房に見つかり、離婚を訴えられる。剣道の九州大会に出場する雅子を会場まで送ろうとする桃次郎の前に、タンクローリーを運転する袴田太一が現れ、雅子を連れ去った。袴田は雅子の姉の夫であった。友人の借金の保証人となった袴田は、借金を返すことができなかった友人のために生活に破綻をきたし、妻と別れたのであった。捜しあてたものの、意地をはり、太一のところへ戻ろうとしない由紀を桃次郎は説得し、彼と再会させる。一方、雅子は、結婚を誓った恋人・村瀬が不運の連続から海外に旅立とうとしていたため、心中は穏やかではなかった。桃次郎が雅子に求婚するが、村瀬の存在を知らされる。そして、村瀬は六時間後に鹿児島空港から出発するという。愛する人の元へ向うように桃次郎は雅子に話すと、彼女をトラックに乗せ、鹿児島空港へと驀走していった。
李泉
回复 :本片根据贝冢结核病灵异医院恐怖事件改编。在一所结核病医学院附属医院，患严重结核病而死的病人较多，而死后的尸体多数都被送到该医学院做实验，医学院的解剖室更是亡灵的聚集地，阴气甚重，这里不断有各种恐怖灵异事件发生。只要午夜在灵异解剖室作业的人均会遇到各种恐怖事件。此医学院学生林宇为了赶课题研究进度，深夜还在恐怖解剖室实验。之后，各种灵异事件接连上演：某个门窗被封死的房间内总能听到脚步声；在解剖室里经常会听到一个成年男子的声音，却不见其人；林宇几位室友也仿佛身陷咒语：有人刹车莫名失灵；有人无故坠楼；有人莫明晕倒，醒来时却发现自己在解剖室；解剖室里被解剖的尸体深夜自己坐起……这所医学院的灵异传闻逐渐浮出水面，极度恐惧笼罩了每个人的心头……