抗战初期，日韩侵华日军气势汹汹地沿津浦线长驱直入破天津，日韩下泉城,占泰安,夺兖州、邹县。并扬言务必在1938年3月16日攻下滕县，继而踏平枣庄、台儿庄，直捣徐州。然而在滕县地区特别是在北沙河一带，却遭到了抗日军民的顽强抵抗。 被激怒的侵华日军血洗了北沙河村，制造了一幕惨绝人寰的“3.15”惨案。北沙河村民在青山、老响叔、彩凤等抗日骨干带领下，积极支援川军铁7团修工事、挖战壕、破公路、炸大桥。在铁7团撤出北沙河回城防守之际，他们和村民做了最坏的准备……3月15日当惨无人道的日本侵略军“血洗北沙河”之际，抗日自卫军王帅等勇士与北沙河村民青山、彩凤等抗日骨干面对死亡毫不怯懦，与侵略者拼尽最后一口气，洒干最后一滴血，感召了全体村民。以他们的血肉之躯，为滕县保卫战赢得了宝贵时间，为台儿庄大捷做出了积极贡献。北沙河村的罹难同胞们！你们和滕县的守城烈士一样，同样是值得子孙后代永远缅怀的英雄！
回复 :Two differences between this Austrian version and the generally available American version are immediately obvious: they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the "original version"?The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! "Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel." (Koszarski)From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to "speed up" the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shots/countershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
萧贺硕
回复 :在野外徒步旅行时，五位好友遭到神秘枪手的都追杀，陷入一场绝命逃亡之战
回复 :侯麦《人间四季》的最后一部。马嘉利（碧翠丝·罗曼德 Béatrice Romand 饰）是一名大龄剩女，有一个儿子和一片葡萄园，过着自给自足的生活。伊莎贝拉（玛丽·瑞莱 Marie Rivière 饰）一直担心着马嘉利的终身大事，她不愿她的密友在孤独中度过晚年。伊莎贝拉以马嘉利的名义偷偷在报纸上登了交友广告，没想到来者热拉尔（阿兰·利博 Alain Libolt 饰）正是自己中意的类型，一个善意的举动使得两个好友落到了尴尬的境地。罗欣（Alexia Portal 饰）是马嘉利儿子的女友，但她真正喜欢的，却是和年长的马嘉利呆在一起。罗欣也想在马嘉利的爱情道路上出一份力，但她所做的，居然是将自己的前男友，一名年长的哲学教授介绍给马嘉利，但哲学教授显然仍对罗欣恋恋不忘。马嘉利孑然一身的生命里突然闯进了两个男人，秋天就快要结束了，但这一团剪不断理还乱的关系却还在继续着。
