由于曲折命运的安排,春暖我与刚出生不久的小女儿失散。10年里我没有停下寻找的脚步。尽管事业有成,春暖然而在我的内心却更强烈的感受到亲人不在而金钱的无力。因此我在寻找的每一处特殊学校都要进行捐资助教。一路走来,这位哑女的母亲,这个衣锦还乡的老板,这个善良温情的女强人,终于同失散的女儿相聚相认…
由于曲折命运的安排,春暖我与刚出生不久的小女儿失散。10年里我没有停下寻找的脚步。尽管事业有成,春暖然而在我的内心却更强烈的感受到亲人不在而金钱的无力。因此我在寻找的每一处特殊学校都要进行捐资助教。一路走来,这位哑女的母亲,这个衣锦还乡的老板,这个善良温情的女强人,终于同失散的女儿相聚相认…
回复 :在一所与世隔绝的高层公寓中住户之间的阶级斗争与暴力事件。这一座高级公寓共40层,拥有超过2000套独立的套房,超市、游泳池、小学等生活设施一应俱全,各楼层通过高速电梯连接,形成一个完全独立于外界的小社会。不过这个看似完美的世界异常脆弱,一次小小的停电以及琐碎的邻里纠纷就能引发冲突,随着冲突的不断升级,大楼里的人也分成了三个阵营:居住在底层的下等居民、居住在中间的中产阶级、以及坐拥高层豪华寓所的富人阶级。不同阵营的居民为了有限的公共资源开始暴力相向,文明世界的规则在这里已经不再适用,取而代之的是丛林法则。
回复 :In mid-’80s Romania, a gifted mathematician is under investigation for plans to publish a new theorem by smuggling it overseas. He’s one in a network of academics struggling beneath the oppressive dictatorship in this gripping tale of science and secrecy.
回复 :"The Witch Burnt Alive"After a very long, but visually arresting animated opening credits sequence, Luchino Visconti (Death in Venice) directs the first story, which is the longest of the five, taking approximately a third of the film's running length. Mangano plays a superstar actress and model who travels to a mountain resort, only to find the well-to-do inhabitants have prejudices and preconceived notions about her based on her public persona. The women are all jealous and the men all want to sleep with her, but all Mangano wants is to be left alone. It's a mostly somber satirical piece, but story-wise, it languishes in its modest idea a bit long, becoming inconsequential to all but those fascinated by the realities of being famous."Community Spirit"Bolognini's piece isn't really a story. It's more of a visual gag, in a short segment that features Mangano offering to take an injured man to a hospital, driving him at breakneck speed throughout the city, but not stopping at locations where he might find aid. I won't give away the punchline here, but it succeeds in being amusing, even if it's the kind of thing that only is interesting the first time through."The Earth Seen from the Moon"The esteemed writer/director, Pier Paolo Pasolini (Salo), crafts the middle segment, which is the most artistic and memorable of the five. Reminiscent in style to "Don Quixote", a recently widowed father and his son travel around the country in search of a new wife and mother, and after a long period, they discover the literally speechless Mangano. She brings joy into their lives, but they are poor, and in order to find a better life for themselves, they concoct a scheme to try to make some quick cash. The story is contrived, and not completely interesting, but the outlandish performances, artwork, and costumes does evoke great charm and likeability. Although mute, it's probably the most appealing of Mangano's five performances, and Toto is terrific."The Sicilian"Franco Rossi directs the fourth an shortest piece, a straight-forward revenge story that comes and goes before it ever has a chance of becoming interesting. It's violent, but easily the least satisfying of the five stories."A Night Like Any Other"Eastwood's appearance is clearly the biggest attraction here, which was filmed in between the Sergio Leone "Dollars" trilogy. It's an enjoyable departure from his normal roles, playing a comedic romantic lead, and he is affably fun to watch. Famed Italian director, Vittorio de Sica (The Bicycle Thief, Umberto D.) does a masterful job with the story, which perfectly blends the mundane and the fantasy in a visually satisfying way. The story is about a bored housewife (Mangano, of course), who tries in vain to get her husband to realize that he is not as romantic as he used to be. The scene is interspersed with comedic romance sequences revolving around the couple's past romantic interludes, and dreams of how their lives should be.